Margaret and Her Friends: or, Ten conversations with Margaret Fuller upon the mythology of the Greeks and its expression in art, held at the house of the Rev. George Ripley, Bedford Place, Boston, beginning March 1, 1841Fuller, Margaret
Philosophy
Margaret and Her Friends: or, Ten conversations with Margaret Fuller upon the mythology of the Greeks and its expression in art, held at the house of the Rev. George Ripley, Bedford Place, Boston, beginning March 1, 1841
Fuller, Margaret
Mythology, Classical, in art; Mythology, Greek
Here MARGARET recapitulated. The Indomitable Will had dethroned Time,
and, acting with Productive Energy,—variously represented at different
times by Isis, Rhea, Ceres, Persephone, and so on,—had driven back the
sensual passions to the bowels of the earth, while it produced Perfect
Wisdom, Genius, Beauty, and Love, results which were more excellent if
not more powerful than their Cause.
To understand this Mythology, we must denationalize ourselves, and throw
the mind back to the consideration of Greek Art, Literature, and Poesy.
It is only scanty justice that my pen can render to Margaret’s eloquent
talk.
FRANK SHAW asked her how she imagined these personifications to have
suggested themselves in that barbarous age.
MARGARET objected to the word _barbarous_. She believed that in the age
of Plato the human intellect reached a point as elevated in some respects
as any it had ever touched.
But the Gods were not the product of that age, but of another far
more remote, FRANK objected. Was not the infinity of Hindu conception
impaired, when the Greeks attributed to the Gods the duties, passions,
and criminal indulgences of men?
MRS. RIPLEY said that the virtue of the Hindu lay in contemplation. If a
man had seen _God_, he was exempt from the ordinary obligations of life,
and allowed to pass his life in quiet adoration.
MARGARET added that the Greek knew better than that. _He_ felt the
necessity of developing the Infinite through action, and embodied this
necessity in his art and poesy as well as in his myths.
FRANK seemed still to think that in losing the adoring contemplation of
the Hindu, and bringing their deities to the human level, the Greeks had
taken one step down.
E. P. P. had always thought it had been a step _up_, and ANN CLARKE
thought that the Greeks forgot themselves, merged all remembrance of the
Finite, in realizing the individual forces of the Infinite.
WILLIAM WHITE, who had not waded very far into the stream, thought the
North American Indian’s worship of the Manitou purer than the Greek
worship, for the very reason that the Indian ascribed to his Manitou no
passion that had degraded humanity.
MARGARET said that the Indian propitiated his God by vile deeds, by
ignoble treacheries and revenge. So the Hindu throws her child into the
Ganges, and an ecstatic crowd falls before the car of Juggernaut.
I thought a good deal, but did not speak. Did not William’s question
grow out of the simple Unity of the Indian worship? But the Indian does
not worship the Manitou because he recognizes a single First Cause,
comprehending in itself all beauty, wisdom, purity, and truth, but
because his heart is naturally lifted toward an unknown something,
which he has hardly yet considered as a Cause. The Greek recognized the
abstract forces of the Universe, but did not perceive their Unity, and
so personified them separately.
E. P. P. suggested that the Indian had no literature, and had left no
record of his Olympus!
Public-domain text, read in full here on John Shaqi.
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