Maria; Or, The Wrongs of WomanWollstonecraft, Mary
General
Maria; Or, The Wrongs of Woman
Wollstonecraft, Mary
Autobiographical fiction; Feminist fiction; Women -- Fiction
MARIA
or
The Wrongs of Woman
by MARY WOLLSTONECRAFT
(1759-1797)
After the edition of 1798
CONTENTS
MARIA
PREFACE
AUTHOR’S PREFACE
CHAPTER 1
CHAPTER 2
CHAPTER 3
CHAPTER 4
CHAPTER 5
CHAPTER 6
CHAPTER 7
CHAPTER 8
CHAPTER 9
CHAPTER 10
CHAPTER 11
CHAPTER 12
CHAPTER 13
CHAPTER 14
APPENDIX
CHAPTER 15
CHAPTER 16
CHAPTER 17
CONCLUSION
MARIA
or
The Wrongs of Woman
PREFACE
The public are here presented with the last literary attempt of an
author, whose fame has been uncommonly extensive, and whose talents
have probably been most admired, by the persons by whom talents are
estimated with the greatest accuracy and discrimination. There are few,
to whom her writings could in any case have given pleasure, that would
have wished that this fragment should have been suppressed, because it
is a fragment. There is a sentiment, very dear to minds of taste and
imagination, that finds a melancholy delight in contemplating these
unfinished productions of genius, these sketches of what, if they had
been filled up in a manner adequate to the writer’s conception, would
perhaps have given a new impulse to the manners of a world.
The purpose and structure of the following work, had long formed a
favourite subject of meditation with its author, and she judged them
capable of producing an important effect. The composition had been in
progress for a period of twelve months. She was anxious to do justice
to her conception, and recommenced and revised the manuscript several
different times. So much of it as is here given to the public, she was
far from considering as finished, and, in a letter to a friend directly
written on this subject, she says, “I am perfectly aware that some of
the incidents ought to be transposed, and heightened by more harmonious
shading; and I wished in some degree to avail myself of criticism,
before I began to adjust my events into a story, the outline of which I
had sketched in my mind.”[1] The only friends to whom the author
communicated her manuscript, were Mr. Dyson, the translator of the
Sorcerer, and the present editor; and it was impossible for the most
inexperienced author to display a stronger desire of profiting by the
censures and sentiments that might be suggested.[2]
[1] A more copious extract of this letter is subjoined to the author’s
preface.
[2] The part communicated consisted of the first fourteen chapters.
In revising these sheets for the press, it was necessary for the
editor, in some places, to connect the more finished parts with the
pages of an older copy, and a line or two in addition sometimes
appeared requisite for that purpose. Wherever such a liberty has been
taken, the additional phrases will be found inclosed in brackets; it
being the editor’s most earnest desire to intrude nothing of himself
into the work, but to give to the public the words, as well as ideas,
of the real author.
Public-domain text, read in full here on John Shaqi.
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