Maria; Or, The Wrongs of WomanWollstonecraft, Mary
General
Maria; Or, The Wrongs of Woman
Wollstonecraft, Mary
Autobiographical fiction; Feminist fiction; Women -- Fiction
What follows in the ensuing pages, is not a preface regularly drawn out
by the author, but merely hints for a preface, which, though never
filled up in the manner the writer intended, appeared to be worth
preserving.
W. GODWIN.
AUTHOR’S PREFACE
The wrongs of woman, like the wrongs of the oppressed part of mankind,
may be deemed necessary by their oppressors: but surely there are a
few, who will dare to advance before the improvement of the age, and
grant that my sketches are not the abortion of a distempered fancy, or
the strong delineations of a wounded heart.
In writing this novel, I have rather endeavoured to pourtray passions
than manners.
In many instances I could have made the incidents more dramatic, would
I have sacrificed my main object, the desire of exhibiting the misery
and oppression, peculiar to women, that arise out of the partial laws
and customs of society.
In the invention of the story, this view restrained my fancy; and the
history ought rather to be considered, as of woman, than of an
individual.
The sentiments I have embodied.
In many works of this species, the hero is allowed to be mortal, and to
become wise and virtuous as well as happy, by a train of events and
circumstances. The heroines, on the contrary, are to be born
immaculate, and to act like goddesses of wisdom, just come forth highly
finished Minervas from the head of Jove.
[The following is an extract of a letter from the author to a friend,
to whom she communicated her manuscript.]
For my part, I cannot suppose any situation more distressing, than for
a woman of sensibility, with an improving mind, to be bound to such a
man as I have described for life; obliged to renounce all the
humanizing affections, and to avoid cultivating her taste, lest her
perception of grace and refinement of sentiment, should sharpen to
agony the pangs of disappointment. Love, in which the imagination
mingles its bewitching colouring, must be fostered by delicacy. I
should despise, or rather call her an ordinary woman, who could endure
such a husband as I have sketched.
These appear to me (matrimonial despotism of heart and conduct) to be
the peculiar Wrongs of Woman, because they degrade the mind. What are
termed great misfortunes, may more forcibly impress the mind of common
readers; they have more of what may justly be termed stage-effect; but
it is the delineation of finer sensations, which, in my opinion,
constitutes the merit of our best novels. This is what I have in view;
and to show the wrongs of different classes of women, equally
oppressive, though, from the difference of education, necessarily
various.
CHAPTER 1
Public-domain text, read in full here on John Shaqi.
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