Maria; Or, The Wrongs of WomanWollstonecraft, Mary
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Maria; Or, The Wrongs of Woman
Wollstonecraft, Mary
Autobiographical fiction; Feminist fiction; Women -- Fiction
She sat musing, gazing at the moon, and watching its motion as it
seemed to glide under the clouds. Then, preparing for bed, she thought,
“Of what use could I be to him, or he to me, if it be true that he is
unjustly confined?—Could he aid me to escape, who is himself more
closely watched?—Still I should like to see him.” She went to bed,
dreamed of her child, yet woke exactly at half after five o’clock, and
starting up, only wrapped a gown around her, and ran to the window. The
morning was chill, it was the latter end of September; yet she did not
retire to warm herself and think in bed, till the sound of the
servants, moving about the house, convinced her that the unknown would
not walk in the garden that morning. She was ashamed at feeling
disappointed; and began to reflect, as an excuse to herself, on the
little objects which attract attention when there is nothing to divert
the mind; and how difficult it was for women to avoid growing romantic,
who have no active duties or pursuits.
At breakfast, Jemima enquired whether she understood French? for,
unless she did, the stranger’s stock of books was exhausted. Maria
replied in the affirmative; but forbore to ask any more questions
respecting the person to whom they belonged. And Jemima gave her a new
subject for contemplation, by describing the person of a lovely maniac,
just brought into an adjoining chamber. She was singing the pathetic
ballad of old Rob[3] with the most heart-melting falls and pauses.
Jemima had half-opened the door, when she distinguished her voice, and
Maria stood close to it, scarcely daring to respire, lest a modulation
should escape her, so exquisitely sweet, so passionately wild. She
began with sympathy to pourtray to herself another victim, when the
lovely warbler flew, as it were, from the spray, and a torrent of
unconnected exclamations and questions burst from her, interrupted by
fits of laughter, so horrid, that Maria shut the door, and, turning her
eyes up to heaven, exclaimed—“Gracious God!”
[3] A blank space about ten characters in length occurs here in the
original edition [Publisher’s note].
Several minutes elapsed before Maria could enquire respecting the
rumour of the house (for this poor wretch was obviously not confined
without a cause); and then Jemima could only tell her, that it was
said, “she had been married, against her inclination, to a rich old
man, extremely jealous (no wonder, for she was a charming creature);
and that, in consequence of his treatment, or something which hung on
her mind, she had, during her first lying-in, lost her senses.”
What a subject of meditation—even to the very confines of madness.
“Woman, fragile flower! why were you suffered to adorn a world exposed
to the inroad of such stormy elements?” thought Maria, while the poor
maniac’s strain was still breathing on her ear, and sinking into her
very soul.
Public-domain text, read in full here on John Shaqi.
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