Marion Harland's Autobiography: The Story of a Long LifeHarland, Marion
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Marion Harland's Autobiography: The Story of a Long Life
Harland, Marion
Authors, American -- 19th century -- Biography; Harland, Marion, 1830-1922
The school—the first I ever attended—was in the second story of an
untenanted house on a side-street, rented from a villager. It was kept
for ten months of the year. A vacation of a month in May, and another
in September, divided two terms of five months each. I climbed the
carpetless stairs to the big upper room six or eight times daily for
five days a week, for forty weeks, and never without a quailing of
nerve and sinking of heart as I strode past a locked door at the left
of the entrance.
Inside of that door I had had my first view of Death.
I could not have been six years old, for it was summer, or early
autumn, and I was walking my doll to sleep up and down the main alley
of the garden, happy and bareheaded, and unconsciously “feeling my life
in every limb,” when my mother called to me from the window to “come
and be dressed.”
“I am going to take you and your sister to a funeral,” she continued,
as a maid buttoned me up in a clean white frock, put on my Sunday
shoes, and brushed the rebellious mop of hair that was never smooth for
ten minutes in the day.
“May I take my doll?” asked I, “sh-sh-ing” her in a cuddling arm. I was
trying very hard to love lifeless dolls.
“Shame on you, Miss Firginny!” put in the maid, for all the world as if
I had spoken in church. “Did anybody ever see sech another chile fur
sayin’ _things_?” she added to my mother.
Mea looked properly shocked; my mother, ever light of heart, and
inclined to let unimportant mistakes pass, smiled.
“We don’t take dolls to funerals, my daughter. It would not be right.”
I did not push inquiries as to the nature of the entertainment to
which we were bound, albeit the word, already familiar to me by reason
of two or three repetitions, was not in my vocabulary an hour ago.
Content and pleased in the knowledge that an outing was on foot, I put
my doll to bed in a closet under the stairs used by Mea and myself
as a “baby-house,” shut the door to keep Argus and Rigo—sprightly
puppies with inquisitive noses—from tearing her limb from limb, as they
had rent her immediate predecessor, and sallied forth. The roadside
was thick with sheep-mint and wild hoarhound and tansy. I bruised
them in dancing along in front of my mother and my sober sister.
The bitter-sweet smell arose to my nostrils to be blent forever in
imagination with the event of the day.
Public-domain text, read in full here on John Shaqi.
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