Marion Harland's Autobiography: The Story of a Long LifeHarland, Marion
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Marion Harland's Autobiography: The Story of a Long Life
Harland, Marion
Authors, American -- 19th century -- Biography; Harland, Marion, 1830-1922
A dozen or more carriages were in the road before the shabby frame
house I had heard spoken of as “old Mrs. O’Hara’s,” but which I had
never entered. Eight or ten horses were tethered to the fence, and a
group of men loitered about the door. As we went up the steps I saw
that the parlor was full of villagers. Some were sitting; more were
standing in a kind of expectant way; all were so grave that my spirits
fell to church-temperature. Something solemn was going on. Just inside
of the parlor door the mother of my most intimate girl-friend sat in
a rocking-chair. She had on a black silk dress and her best bonnet.
Every woman present wore black. I saw Mrs. D. beckon up Major Goode, an
elderly beau who was a notable figure in the neighborhood, and whisper
audibly to him, “If you want more chairs, you may send over to our
house for them.”
It was evidently a great function, for Mrs. D. was a notable
housekeeper, and her furniture the finest in the place. Her
drawing-room chairs were heavy mahogany, and upholstered with black
horsehair. Her house, altogether the best within a radius of several
miles, was not a hundred yards from the O’Hara cottage; but that she
should make the neighborly offer thrilled me into nameless awe.
My mother moved forward slowly, holding my hand fast in hers, and I
was led, without warning, up to a long, black, open box, set upon two
chairs, one at each end. In the long, black box lay a woman I had never
seen before. She was awfully white; her eyes were shut; she looked
peaceful, even happy; but she was not asleep. No sleeping creature was
ever so moveless and marble-pale. Her terrible stillness impressed me
most painfully by its very unlikeness to the heaving, palpitating crowd
about her. A mob-cap with a closely fluted border framed the face; she
was dressed in a long cambric gown of a pattern entirely new to me. It
lay in moveless plaits as stiff as paper from her chin to her feet,
which it hid; it was pinked in tiny points at the bottom of the skirt
and the cuffs; the hands, crossed at the wrists as no living hands are
ever laid, were bound at the crossing with white satin ribbon. Under
the moveless figure was a cambric sheet, also pinked at the edges, that
fell straight to the floor over the sides of the coffin.
I must have pinched my mother’s hand with my tightening fingers, for
she eyed me in grave surprise, not unmixed with reproof, in taking a
seat and drawing me to her side. There was no place for children to sit
down. I am sure that she had not an inkling of the unspeakable fright
that possessed my ignorant mind.
Public-domain text, read in full here on John Shaqi.
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