Labrador (N.L.) -- Fiction; London (England) -- Fiction; Love stories, English
Marjorie had a chin that was small in size if resolute in form, and a
mouth that was not noticeably soft and weak because it was conspicuously
soft and pretty. Her nose was delicately aquiline and very subtly and
finely modelled, and she looked out upon the world with steady,
grey-blue eyes beneath broad, level brows that contradicted in a large
measure the hint of weakness below. She had an abundance of copper-red
hair, which flowed back very prettily from her broad, low forehead and
over her delicate ears, and she had that warm-tinted clear skin that
goes so well with reddish hair. She had a very dainty neck, and the long
slender lines of her body were full of the promise of a riper beauty.
She had the good open shoulders of a tennis-player and a swimmer. Some
day she was to be a tall, ruddy, beautiful woman. She wore simple
clothes of silvery grey and soft green, and about her waist was a belt
of grey leather in which there now wilted two creamy-petalled roses.
That was the visible Marjorie. Somewhere out of time and space was an
invisible Marjorie who looked out on the world with those steady eyes,
and smiled or drooped with the soft red lips, and dreamt, and wondered,
and desired.
§ 2
What a queer thing the invisible human being would appear if, by some
discovery as yet inconceivable, some spiritual X-ray photography, we
could flash it into sight! Long ago I read a book called "Soul Shapes"
that was full of ingenious ideas, but I doubt very much if the thing so
revealed would have any shape, any abiding solid outline at all. It is
something more fluctuating and discursive than that--at any rate, for
every one young enough not to have set and hardened. Things come into
it and become it, things drift out of it and cease to be it, things turn
upside down in it and change and colour and dissolve, and grow and eddy
about and blend into each other. One might figure it, I suppose, as a
preposterous jumble animated by a will; a floundering disconnectedness
through which an old hump of impulse rises and thrusts unaccountably; a
river beast of purpose wallowing in a back eddy of mud and weeds and
floating objects and creatures drowned. Now the sunshine of gladness
makes it all vivid, now it is sombre and grimly insistent under the sky
of some darkling mood, now an emotional gale sweeps across it and it is
one confused agitation....
Public-domain text, read in full here on John Shaqi.
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