He had become a contributor to Punch, a lucky rather than smart
business stroke, for it was not of his own initiation. He did not
continue his contributions after he began to appear before the public,
and the discontinuance was made the occasion of some ill-natured
remarks in certain American papers, which very much wounded him. They
were largely circulated and credited at the time, the charge being that
Messrs. Bradbury and Evans, the publishers of the English charivari,
had broken with him because the English would not have him. The truth
is that their original proposal was made to him, not by him to them,
the price named being fifteen guineas a letter. He asked permission to
duplicate the arrangement with some New York periodical, so as to
secure an American copyright. This they refused. I read the
correspondence at the time. “Our aim,” they said, “in making the
engagement, had reference to our own circulation in the United States,
which exceeds twenty-seven thousand weekly.”
I suggested to Artemus that he enter his book, “Artemus Ward in
London,” in advance, and he did write to Oakey Hall, his New York
lawyer, to that effect. Before he received an answer from Hall he got
Carleton’s advertisement announcing the book. Considering this a
piratical design on the part of Carleton, he addressed that
enterprising publisher a savage letter, but the matter was ultimately
cleared up to his satisfaction, for he said just before we parted: “It
was all a mistake about Carleton. I did him an injustice and mean to
ask his pardon. He has behaved very handsomely to me.” Then the letters
reappeared in Punch.
V
Whatever may be thought of them on this side of the Atlantic, their
success in England was undeniable. They were more talked about than any
current literary matter; never a club gathering or dinner party at
which they were not discussed. There did seem something both audacious
and grotesque in this ruthless Yankee poking in among the revered
antiquities of Britain, so that the beef-eating British themselves
could not restrain their laughter. They took his jokes in excellent
part. The letters on the Tower and Chawsir were palpable hits, and it
was generally agreed that Punch had contained nothing better since the
days of Yellow-plush. This opinion was not confined to the man in the
street. It was shared by the high-brows of the reviews and the
appreciative of society, and gained Artemus the entrée wherever he
cared to go.
Public-domain text, read in full here on John Shaqi.
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