Marsena, and Other Stories of the WartimeFrederic, Harold
History
Marsena, and Other Stories of the Wartime
Frederic, Harold
United States -- History -- Civil War, 1861-1865 -- Fiction; United States -- Social life and customs -- 19th century -- Fiction
Neither at the fortnightly sociables of the Ladies' Church Mite
Society, given in turn at the more important members' homes, nor in the
more casual social assemblages of the place, did Marsena ever unbend.
It was not that he held himself aloof, as some others did, from the
simple amusements of the evening. He never shrank from bearing his part
in "pillow," "clap in and clap out," "post-office," or in whatever
other game was to be played, and he went through the kissing penalties
and rewards involved without apparent aversion. It was also to be
noted, in fairness, that, if any one smiled at him full in the face,
he instantly smiled in response. But neither smile nor chaste salute
served to lift for even the fleeting instant that veil of reserve which
hung over him.
Those who thought that by having Marsena Pulford take their pictures
they would get on more intimate terms with him fell into grievous
error. He was more sententious and unapproachable in his studio, as he
called it, than anywhere else. In the old days, before the partnership,
when he did everything himself, his manner in the reception-room
downstairs, where he showed samples, gave the prices of frames, and
took orders, had no equal for formal frigidity—except his subsequent
demeanor in the operating-room upstairs. The girls used to declare
that they always emerged from the gallery with "cold shivers all over
them." This, however, did not deter them from going again, repeatedly,
after the outbreak of the war had started up the universal notion of
being photographed.
When the new partner came in, in this April of 1862, Marsena was able
to devote himself exclusively to the technical business of the camera
and the dark-room, on the second floor. He signalled this change by
wearing now every day an old russet-colored velveteen jacket, which
we had never seen before. This made him look even more romantically
melancholy and picturesque than ever, and revived something of the
fascinating curiosity as to his hidden past; but it did nothing toward
thawing the ice-bound shell which somehow came at every point between
him and the good-fellowship of the community.
The partnership was scarcely a week old when something happened.
The new partner, standing behind the little show-case in the
reception-room, transacted some preliminary business with two customers
who had come in. Then, while the sound of their ascending footsteps was
still to be heard on the stairs, he hastily left his post and entered
the little work-room at the back of the counter.
"You couldn't guess in a baker's dozen of tries who's gone upstairs,"
he said to the boy. Without waiting for even one effort, he added:
"It's the Parmalee girl, and Dwight Ransom's with her, and he's got a
Lootenant's uniform on, and they're goin' to be took together!"
Public-domain text, read in full here on John Shaqi.
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