Marsena, and Other Stories of the WartimeFrederic, Harold
History
Marsena, and Other Stories of the Wartime
Frederic, Harold
United States -- History -- Civil War, 1861-1865 -- Fiction; United States -- Social life and customs -- 19th century -- Fiction
"What of it?" asked the unimaginative boy. He was bending over a crock
of nitric acid, transferring from it one by one to a tub of water a
lot of spoiled glass plates. The sickening fumes from the jar, and the
sting of the acid on his cracked skin, still further diminished his
interest in contemporary sociology. "Well, what of it?" he repeated,
sulkily.
"Oh, I don't know," said the new partner, in a listless, disappointed
way. "It seemed kind o' curious, that's all. Holdin' her head up as
high in the air as she does, you wouldn't think she'd so much as look
at an ordinary fellow like Dwight Ransom."
"I suppose this is a free country," remarked the boy, rising to rest
his back.
"Oh, my, yes," returned the other; "if she's pleased, I'm quite
agreeable. And—I don't know, too—I dare say she's gettin' pretty well
along. May be she thinks they ain't any too much time to lose, and is
making a grab at what comes handiest. Still, I should 'a' thought she
could 'a' done better than Dwight. I worked with him for a spell once,
you know."
There seemed to be very few people with whom Newton Shull had not at
one time or another worked. Apparently there was no craft or calling
which he did not know something about. The old phrase, "Jack of all
trades," must surely have been coined in prophecy for him. He had
turned up in Octavius originally, some years before, as the general
manager of a "Whaler's Life on the Rolling Deep" show, which was
specially adapted for moral exhibitions in connection with church
fairs. Calamity, however, had long marked this enterprise for its
own, and at our village its career culminated under the auspices of
a sheriff's officer. The boat, the harpoons, the panorama sheet and
rollers, the whale's jaw, the music-box with its nautical tunes—these
were sold and dispersed. Newton Shull remained, and began work as a
mender of clocks. Incidentally, he cut out stencil-plates for farmers
to label their cheese-boxes with, and painted or gilded ornamental
designs on chair-backs through perforated paper patterns. For a time
he was a maker of children's sleds. In slack seasons he got jobs to
help the druggist, the tinsmith, the dentist, or the Town Clerk, and
was equally at home with each. He was one of the founders of the
Octavius Philharmonics, and offered to play any instrument they liked,
though his preference was for what he called the bull fiddle. He spoke
often of having travelled as a bandsman with a circus. We boys believed
that he was quite capable of riding a horse bareback as well.
Public-domain text, read in full here on John Shaqi.
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