Mary Gresley, and An Editor's TalesTrollope, Anthony
General
Mary Gresley, and An Editor's Tales
Trollope, Anthony
Great Britain -- Social life and customs -- 19th century -- Fiction
woman, took Mary aside, and told her that such a thing must not be.
There would come, she said, children, and destitution, and ruin. She
knew perhaps more than Mary knew when Mary told us her story, sitting
opposite to us in the low arm-chair. It was the advice of the vicar’s
wife that the engagement should be broken off; but that, if the
breaking-off of the engagement were impossible, there should be an
indefinite period of waiting. Such engagements cannot be broken off.
Young hearts will not consent to be thus torn asunder. The vicar’s wife
was too strong for them to get themselves married in her teeth, and the
period of indefinite waiting was commenced.
And now for a moment we will go further back among Mary’s youthful days.
Child as she seemed to be, she had in very early years taken a pen in
her hand. The reader need hardly be told that had not such been the case
there would not have arisen any cause for friendship between her and us.
We are telling an Editor’s tale, and it was in our editorial capacity
that Mary first came to us. Well;--in her earliest attempts, in her very
young days, she wrote--Heaven knows what; poetry first, no doubt; then,
God help her, a tragedy; after that, when the curate-influence first
commenced, tales for the conversion of the ungodly;--and at last, before
her engagement was a fact, having tried her wing at fiction, in the form
of those false little dialogues between Tom the Saint and Bob the
Sinner, she had completed a novel in one volume. She was then seventeen,
was engaged to be married, and had completed her novel! Passing her in
the street you would almost have taken her for a child to whom you might
give an orange.
Hitherto her work had come from ambition,--or from a feeling of
restless piety inspired by the curate. Now there arose in her young mind
the question whether such talent as she possessed might not be turned to
account for ways and means, and used to shorten, perhaps absolutely to
annihilate, that uncertain period of waiting. The first novel was seen
by “a man of letters” in her neighbourhood, who pronounced it to be very
clever;--not indeed fit as yet for publication, faulty in grammar,
faulty even in spelling,--how I loved the tear that shone in her eye as
she confessed this delinquency!--faulty of course in construction, and
faulty in character;--but still clever. The man of letters had told her
that she must begin again.
Public-domain text, read in full here on John Shaqi.
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