his neck where he had been stabbed with a jagged bottle, and his wrist
which an Italian mad-man had thrust through and through with a dagger.
But though he was always talking he was not always talking of himself.
Through his conversation there ran a succession of queries--tiny
slender questions which ran out of his stories and into her life.
Questions so skillful and natural and spontaneous that only a girl
could discover the curiosity which prompted them. He wanted her name,
her address, her mother's name, her father's name; had she other
relatives, did she go to work yet, what was her religion, was it a
long time since she left school, and what was her mother's business?
To all of these Mary Makebelieve answered with glad candor. She saw
each question coming, and the personal curiosity lying behind it she
divined and was glad of. She would have loved to ask him personal and
intimate questions about his parents, his brothers and sisters, and
what he said when he said his prayers, and had he walked with other
girls, and, if so, what had he said to them, and what did he really
and truly think of her? Her curiosity on all these points was abundant
and eager, but she did not dare to even hint a question.
One of the queries often touched upon by him she eluded--she shrank
from it with something like terror--it was, "What was her mother's
business?" She could not bear to say that her mother was a charwoman.
It did not seem fitting. She suddenly hated and was ashamed of this
occupation. It took on an aspect of incredible baseness. It seemed to
be the meanest employment wherein any one could be engaged; and so
when the question, conveyed in a variety of ways, had to be answered
it was answered with reservations--Mary Makebelieve told him a lie.
She said her mother was a dressmaker.
XIV
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account