He was not satisfied;
His look was all dissatisfied.
His beard swung on a wind far out of sight
Behind the world's curve, and there was light
Most fearful from His forehead, and He sighed,
"That star went always wrong, and from the start
I was dissatisfied."
He lifted up His hand--
I say He heaved a dreadful hand
Over the spinning Earth, then I said "Stay,
You must not strike it, God; I'm in the way;
And I will never move from where I stand."
He said, "Dear child, I feared that you were dead,"
And stayed His hand.
His God is never a lonely God--he has need of humanity, and the quick
champion of humanity springs straight into the love of God. Such is
the intuition that is in all James Stephens' books.
He is the only author I have ever known whose talk is like his books.
The prodigality of humour, intuition and searching thought that he
puts into his pages he also puts into what he says. And he is the only
man I ever met who can sing his stories as well as tell them. Like the
rest of the Irish writers of to-day, what he writes has a sense of
spiritual equality as amongst all men and women--a sense of a
democracy that is inherent in the world.
[Illustration: signature: Padraic Colum]
New York, September, 1917.
MARY, MARY
I
Mary Makebelieve lived with her mother in a small room at the very top
of a big, dingy house in a Dublin back street. As long as she could
remember she had lived in that top back room. She knew every crack in
the ceiling, and they were numerous and of strange shapes. Every spot
of mildew on the ancient wall-paper was familiar. She had, indeed,
watched the growth of most from a grayish shade to a dark stain, from
a spot to a great blob, and the holes in the skirting of the walls,
out of which at nighttime the cockroaches came rattling, she knew
also. There was but one window in the room, and when she wished to
look out of it she had to push the window up, because the grime of
many years had so encrusted the glass that it was of no more than the
demi-semi-transparency of thin horn. When she did look there was
nothing to see but a bulky array of chimney-pots crowning a next-door
house, and these continually hurled jays of soot against her window;
therefore, she did not care to look out often, for each time that she
did so she was forced to wash herself, and as water had to be carried
from the very bottom of the five-story house up hundreds and hundreds
of stairs to her room, she disliked having to use too much water.
Public-domain text, read in full here on John Shaqi.
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