Her mother seldom washed at all. She held that washing was very
unhealthy and took the natural gloss off the face, and that, moreover,
soap either tightened the skin or made it wrinkle. Her own face was
very tight in some places and very loose in others, and Mary
Makebelieve often thought that the tight places were spots which her
mother used to wash when she was young, and the loose parts were
those which had never been washed at all. She thought that she would
prefer to be either loose all over her face or tight all over it, and,
therefore, when she washed she did it thoroughly, and when she
abstained she allowed of no compromise.
Her mother's face was the color of old, old ivory. Her nose was like a
great strong beak, and on it the skin was stretched very tightly, so
that her nose shone dully when the candle was lit. Her eyes were big
and as black as pools of ink and as bright as the eyes of a bird. Her
hair also was black, it was as smooth as the finest silk, and when
unloosened it hung straightly down, shining about her ivory face. Her
lips were thin and scarcely colored at all, and her hands were sharp,
quick hands, seeming all knuckle when she closed them and all fingers
when they were opened again.
Mary Makebelieve loved her mother very dearly, and her mother returned
her affection with an overwhelming passion that sometimes surged into
physically painful caresses. When her mother hugged her for any length
of time she soon wept, rocking herself and her daughter to and fro,
and her clutch became then so frantic that poor Mary Makebelieve found
it difficult to draw her breath; but she would not for the world have
disturbed the career of her mother's love. Indeed, she found some
pleasure in the fierceness of those caresses, and welcomed the pain
far more than she reprobated it.
Her mother went out early every morning to work, and seldom returned
home until late at night. She was a charwoman, and her work was to
scrub out rooms and wash down staircases. She also did cooking when
she was asked, and needlework when she got any to do. She had made
exquisite dresses which were worn by beautiful young girls at balls
and picnics, and fine, white shirts that great gentlemen wore when
they were dining, and fanciful waistcoats for gay young men, and silk
stockings for dancing in--but that was a long time ago, because these
beautiful things used to make her very angry when they were taken from
her, so that she cursed the people who came to take them away and
sometimes tore up the dresses and danced on them and screamed.
Public-domain text, read in full here on John Shaqi.
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