Masks, with Jim's beast, Tides, Among the lions, The reason, The house: one act plays of contemporary lifeMiddleton, George
General
Masks, with Jim's beast, Tides, Among the lions, The reason, The house: one act plays of contemporary life
Middleton, George
American drama -- 20th century; One-act plays, American
Can’t you see your husband couldn’t rescue you from an abstraction?
MARIE
But I didn’t want to be rescued. I wanted to marry Penny!
TOM
And I was tickled to death to get rid of her.
MARIE
Yes. It meant release for us both to be ourselves.
GRANT
But, Robinson, you _had_ to rescue her. She was the leading lady.
The manager pays her five hundred dollars a week to marry the star.
MARIE
Well, she earns it.
GRANT
She earns it because she draws.
TOM
(_Surprised_)
Does she paint, too?
GRANT
She draws that much money into the box office.
TOM
Money, money! How that runs through your talk.
MARIE
(_Referring to_ TOM)
I wish to heaven it had run through his.
TOM
(_Lifting his voice angrily_)
I was above such things. I am an artist. Money! Money! I see red
when I hear that word. Money! Money! The curse of true art.
GRANT
(_Pointing to his wife’s door_)
Please, please; not so loud. You’ll wake the baby.
MARIE
(_With a poignant cry_)
Oh!
GRANT
What’s the matter with you?
MARIE
I forgot all about that. You also took my baby away from me in THE
SAND BAR.
TOM
So far as I was concerned that was the only decent thing you did. I
had to make money for the child.
MARIE
Have you forgotten that was the other reason I left him? He didn’t
love our child: it was in his way.
TOM
Love a mewling, puking child? Not much.
GRANT
(_Trying to calm her as she walks up and down_)
Sh! Control yourself.
MARIE
My love for the child was the only decent thing about me.
GRANT
But I gave you other virtues. I made you love your husband.
MARIE
If I _had_ to love my husband in your revised version couldn’t I at
least have kept my child?
GRANT
Don’t be unreasonable. No leading lady wants a child.
MARIE
So you took it away to please the leading lady!
GRANT
Can’t you understand if I’d given her a child it would have
complicated matters?
TOM
You’re right. It certainly complicated matters for me.
GRANT
(_Trying to explain_)
I wanted the struggle to be a simple one between two men and a
woman. A child would have been a side-issue.
MARIE
You call my child a side-issue! (_Looking at_ TOM.) Hasn’t his
father anything to say to that?
TOM
(_To_ GRANT)
She can’t get me excited about that brat. It stood in my way. I’d
have killed it myself if necessary.
MARIE
(_To_ GRANT)
But _you_ killed it instead.
GRANT
(_Losing patience_)
Yes. I killed it for the same reason he would have: because it
would have stood in the way of the play’s success. Are you a couple
of fools? Can’t you both get into your heads I was writing a play
to make money?
TOM
Money! Money again!
MARIE
(_Astonished as she comes to_ GRANT)
So you killed it for money?
GRANT
Yes. Just as I changed you both for money.
TOM
If you’d killed it for art I would have understood. But to kill a
creature for money! You are a murderer!
MARIE
(_Sneering_)
And how much blood money will you get for what you have done?
GRANT
A thousand dollars a week!
MARIE
(_Overcome_)
Public-domain text, read in full here on John Shaqi.
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