Masks, with Jim's beast, Tides, Among the lions, The reason, The house: one act plays of contemporary lifeMiddleton, George
General
Masks, with Jim's beast, Tides, Among the lions, The reason, The house: one act plays of contemporary life
Middleton, George
American drama -- 20th century; One-act plays, American
My God!
TOM
(_Awed_)
How much did you say?
GRANT
A thousand a week.
MARIE
You’re going to get that much for putting me into a popular success?
GRANT
Yes.
TOM
She isn’t worth it.
GRANT
(_Determined to have it out with them_)
It was worth it to me. Think of the exquisite joy I had in revising
my problem drama. Think of how I turned two hectic, distorted,
twisted, selfish, miserable, little-souled characters into two
self-sacrificing, sugar-coated, lovable beings!
TOM
You are not only a murderer but a hypocrite: you distorted life to
win sympathy for us.
GRANT
The theater no longer has anything to do with life. It’s a palace
of personality.
TOM
Well, what’s the matter with _my_ personality?
MARIE
Leaving him aside, what about me?
GRANT
You wouldn’t draw a cent. There wasn’t a dollar in either of you.
MARIE
Is that _my_ fault? You made us what we are.
GRANT
Yes; before I learned that the public pays to be pleased. Do you
think there’s anything pleasing about either of you? Why, you
couldn’t even be happy together.
TOM
This is getting damned personal.
MARIE
What right has the public got to be so proud of itself? There’s
many a woman in the audience worse than I am.
GRANT
But they want to be flattered into believing they are as much like
heroes and heroines as you are not. The successful playwright, like
the fashionable portrait painter, flatters and never reveals.
TOM
While true artists like me starve?
GRANT
And dramatists who write “Lonely Ways” also starve. What are you
two kicking so about? Because I’ve made you respectable, wealthy
and happy? Do you think the general public cares a whoop in Hades
what _I_ think of life, of my peculiar slant on the motives that
mess up the characters that happen to interest _me_? No: all they
want is what they want life to be.
TOM
How little you know of human nature. If we’d had a chance to be our
true selves we would have been appreciated.
GRANT
By whom, pray? A few professional soul lovers. And they’d get into
the theater on passes. No. You are caviar; most of the world lives
on mush. So I mixed you in mush, sentimental glue, anything you
want to call it.
TOM
You disgust me.
MARIE
But _I_ see hope for you. At heart you despise the crowd, as I did
its smug conventions.
GRANT
(_Bitterly_)
I hate what it has made me suffer.
TOM
Every great artist has despised them. I despise them.
GRANT
(_More seriously_)
Only I think the public has its rights. They have the right to
laugh, to watch virtue triumph, to behold success, to feel love
win out, to see what they think is happiness. They have that right
because their own lives are so full of the other things. And maybe
they like to dream a little, too.
MARIE
Who’s mushy now?
GRANT
Don’t sneer at a popular success. It’s sometimes more difficult to
perform a trick than climb a mountain peak.
TOM
Have _we_ artists no rights?
GRANT
(_Wearily_)
Only the right to dream and starve.
MARIE
Public-domain text, read in full here on John Shaqi.
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