Masks, with Jim's beast, Tides, Among the lions, The reason, The house: one act plays of contemporary lifeMiddleton, George
General
Masks, with Jim's beast, Tides, Among the lions, The reason, The house: one act plays of contemporary life
Middleton, George
American drama -- 20th century; One-act plays, American
GRANT WILLIAMS _is a more striking personality than his wife; about
forty, with a tinge of iron gray on his temples, he has a strong
virile face not without traces of idealism. His whole appearance
is normal and devoid of any conscious affectation of dress. But a
very close inspection might reveal that his suit, though carefully
pressed, is well worn--as is the overcoat which covers it._ GRANT
_happens to be a man of cultivation and breeding, with a spark of
genius, who has strayed into strange pastures. At present there
lurks an unexpected depression back of his mood; perhaps it is only
the normal reaction which comes to every artist when success is won
and the critical sense within mocks the achievement so beneath the
dream. Perhaps with_ GRANT WILLIAMS _it is something else_.
JERRY
Oh, Grant, I thought you’d never come home.
GRANT
Best, the house manager, detained me.
JERRY
(_Detecting his mood_)
There’s nothing the matter with the play?
GRANT
Nothing; except it’s an enormous success. (_She smiles again, and
he wants to keep her smiling._) We were sold out to-night. The
second night! Think of that! I had to stand myself.
JERRY
Well, I don’t see why you should be blue about it. There were
always plenty of empty seats at your other plays. I knew THE SAND
BAR couldn’t fail.
GRANT
(_Throwing coat carelessly over chair_)
You felt the same about the others.
JERRY
(_Trying to cheer him_)
They didn’t fail--artistically.
GRANT
You mean nobody came to see them--except on passes. But THE SAND
BAR! That’s different! (_With a tinge of sarcasm throughout._) You
ought to have seen the way the mob at the National ate it up.
JERRY
I wanted to go but I couldn’t ask Mrs. Hale to take care of the
baby again. Besides, I was anxious to read all the notices over
quietly by myself and....
GRANT
(_Picking them up and glancing through them_)
Great, aren’t they? Not a “roast” among them.
JERRY
Not one. I couldn’t find Arthur Black’s review: he was always so
kind to your other plays, too.
GRANT
(_Evasively_)
I forgot to bring in the _Gazette_. Best says he never saw such
“money” notices. (_Glances at one._) Doran outdid himself.
(_Reading the critic’s notice with a touch of theatrical
exaggeration._) “The perception of human nature evinced by Grant
Williams in his profoundly moving drama THE SAND BAR places him in
the front rank of American dramatists!”
JERRY
Just where you belong.
GRANT
(_Skipping_)
“His hero, Tom Robinson, the artist, who deliberately deserts his
highest ideals because his wife’s happiness is of more value than
his own egoistic self-expression, is a new angle on the much abused
artistic temperament.” (_With a wise smile._) That “twist” seems to
have got them. (_Reading_) “Marie, his wife, who is willing to risk
her honor to test his love and thus awaken him to a sense of his
human responsibility, is a character which will appeal to every
married woman.”
JERRY
(_She nods in approval, without his seeing her_)
Public-domain text, read in full here on John Shaqi.
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