Masks, with Jim's beast, Tides, Among the lions, The reason, The house: one act plays of contemporary life — John Shaqi
Masks, with Jim's beast, Tides, Among the lions, The reason, The house: one act plays of contemporary lifeMiddleton, George
General
Masks, with Jim's beast, Tides, Among the lions, The reason, The house: one act plays of contemporary life
Middleton, George
American drama -- 20th century; One-act plays, American
But read the last paragraph, dear.
GRANT
“In fact, all the characters are true to themselves, never
once being bent by the playwright for dramatic effect out of
the inevitable and resistless momentum of their individual
psychologies.” And Doran used to report prizefights!
JERRY
I hope he doesn’t go back to it. He writes beautifully.
GRANT
By the way, I haven’t told you the crowning achievement of my ten
years of writing. Trebaro--the great Trebaro who would never even
read my plays before--asked me in the lobby to-night to write him a
curtain raiser!
JERRY
(_Happily_)
That’s splendid!
GRANT
I’ve promised to get it done in ten days. His new play is going to
run short. He’s got to have something to lengthen the evening.
JERRY
Have you an idea?
GRANT
No; not yet. But he doesn’t like anything with ideas in it.
JERRY
(_As she sees him go to his typewriter to remove cover_)
But, dear, you’re not going to begin it to-night! (_Significantly
stopping him._) To-night belongs to me--not to your work.
(_Nestling close beside him._) Dearest....
GRANT
All right, Jerry. I’ve only got a few paragraphs of personal stuff
to bang off. Then I’ll be with you. _The Times_ wants it for a
Sunday story--with my photo. (_As her face brightens again._) You
see, Mrs. Grant Williams, your husband is now in the limelight.
JERRY
I’m so glad success has come to you at last.
GRANT
Better at last than at first. I’m told it’s bad for your character
to be too successful when you’re young. So providence nearly
starved us a bit, eh?
JERRY
You thought it was going to be so easy when we were first married.
It’s been hard for you, dear. I know. Writing and writing and
seeing other fellows make money. But now you’ve won out. You ought
to be very happy, as I am.
GRANT
You are happy, aren’t you? (_He takes her hands affectionately,
then looks at them, turning them over._) The only hard thing,
Jerry, was to see these hands of yours grow red and rough with the
work here.
JERRY
Maybe that’s the only way they could help you.
GRANT
(_Enigmatically_)
It’s because of them and only because of them that I’ve done it.
JERRY
Done what?
GRANT
Oh, nothing. (_He puts paper in the machine._) How about a glass of
milk?
JERRY
I’ll get it while the great man reveals himself to an anxious
public.
GRANT
And some crackers. (_Sitting at machine._) They want something
on: “How I Make My Characters Live.” (_She laughs suddenly: he
starts._) Oh; it’s you?
JERRY
Yes. I was thinking how funny it was to celebrate a success in milk.
GRANT
Yes. But the greatest joke of all is that THE SAND BAR _is_ a
success--a real financial success.
JERRY
It’s a very good joke.
(_She goes out happily. Then a cynical look creeps into his
face. He reads as he types._)
GRANT
“How I Made My Characters in THE SAND BAR Live.”
Public-domain text, read in full here on John Shaqi.
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