Masks, with Jim's beast, Tides, Among the lions, The reason, The house: one act plays of contemporary life — John Shaqi
Masks, with Jim's beast, Tides, Among the lions, The reason, The house: one act plays of contemporary lifeMiddleton, George
General
Masks, with Jim's beast, Tides, Among the lions, The reason, The house: one act plays of contemporary life
Middleton, George
American drama -- 20th century; One-act plays, American
(_He pauses a second, smiling cynically. Then, as he
apparently hears something, he rises and goes over to
the hall door which he opens quickly. He looks out and
apparently sees a neighbor entering the apartment opposite.
A bibulous “good night” is heard. He closes the door, turns
the key, tests the door and sees it is locked. As he stands
there puzzled_, JERRY _enters, with a bottle of milk, some
crackers, and an apple on a small tray_.)
You’ll have to get over this habit of waiting on me now.
JERRY
Don’t ask the impossible.
GRANT
But we shall have servants now; plenty of them.
JERRY
Plenty of them? Why how much money are you going to make out of THE
SAND BAR?
GRANT
Nearly a thousand dollars a week.
JERRY
(_Almost inaudibly as she nearly drops the tray_)
My God!
GRANT
(_As he puts tray on table_)
It will run forty weeks at the National. Then three road companies
next year: “stock” and the “movies” after that. I’m going to
make as much money in two weeks now as I ever made before in one
year--turning out hack stuff and book reviews. And all I’ve got to
do is to sit back and let it work for me!
JERRY
It doesn’t seem honest.
GRANT
Maybe it isn’t, Jerry. (_As he eats._) But when the public is
pleased it pays to be pleased.
JERRY
(_Venturing_)
The first thing I want is some new clothes.
GRANT
(_Grandiloquently_)
My first week’s royalty is yours.
JERRY
Really?
GRANT
Throw away everything that’s darned and patched. I’m sick of seeing
them.
JERRY
I was always so ashamed, too. Just think what people would have
said if I’d been run over or killed in an accident.
GRANT
Now you’ll do the running over--in our new car.
JERRY
(_Hardly believing her ears_)
A car!
GRANT
Every successful playwright has a car.
JERRY
(_Joyfully_)
Then we’ll have to move from here to live up to the car?
GRANT
We’ve got to move. It’s more important to look like a success than
to be one. (_Glancing about flat._) And the Lord knows this doesn’t
look like success.
JERRY
I’m so glad. I’ve grown to hate these five stuffy rooms without
sunlight.
GRANT
Nothing to light them up these ten years but the glow of my genius,
eh? Now I’ll have a big house to shine in.
JERRY
I’ve always dreamed of you having a room off by yourself.
GRANT
Where you could really dream without the sound of my typewriter
waking you and the baby?
JERRY
But it will be splendid for you, too. I don’t see how you ever
wrote here with me always fussing in and out.
GRANT
Washing the eternal dish and cooking the eternal chop.
JERRY
I don’t ever want to look another gas stove in the face.
GRANT
You’ve cooked your last chop.
JERRY
Oh, Grant; my dreams have come true.
GRANT
(_Enigmatically again_)
Yes. Success or failure: it’s all a matter of how you dream. (_She
looks up puzzled: he is silent a moment and then goes to machine
again._) But I’ll never get this done.
JERRY
Public-domain text, read in full here on John Shaqi.
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