Whereupon Mr. Maturin exhorted her to thank her stars that he was a pagan and, withdrawing his hand from an inner pocket, scattered some bank-notes over the bewildered wretches. “Oh! Oh!” they cried, but caught them quickly enough, not grabbing nor pushing overmuch, for there was maybe a couple or so for each. And when, with the bank-notes tight and safe in their hands, they stared their wonder up at their mad benefactor, it was to find him staring moon-struck at a point far above their heads, while across his face was stamped a singular smile. It should be known that Beau Maturin had in his youth been a great reader of romantic literature, and now could not but smile at the picture of himself in an ancient situation, for is not the situation of a penniless spendthrift, with that of a man in love, among the most ancient in the world? A policeman, his black cape shining in the rain like black armour, approached heavily: the august impersonality of the law informed for the moment with an air of interest that had a terrifying effect on the suddenly enriched wretches, for the law does not by ordinary recognise any close connection between a person with no visible means of support and the Bank of England. “Good evening, sir,” said the law to Mr. Maturin, who, returning the greeting somewhat absently, was about to continue his walk when an anxious voice from the ground whispered: “’Ere, sir, these are fivers, sir!” “I beg your pardon?” said Mr. Maturin. The law, meanwhile, had taken one of the bank-notes from a reluctant hand and was examining it against the lamplight. “These ’ere, sir,” said the law impersonally, “are five-pun notes.” “True,” said Mr. Maturin. “True. Lovely white angels of the devil. Good-night, constable.” “Good-night, sir,” said the constable, replacing the bank-note into an eager hand; and Mr. Maturin, for long devoid of common sense, and now entirely devoid of money as well, continued his walk in the rain. His direction, or such direction as his feet appeared to have, led him towards the [Illustration: _A Paramount Picture._ _The Ace of Cads._ THE PARTING OF THE WAYS BETWEEN “BEAU” AND ELEANOUR.] pillared arcade that protects the entrance of the Ritz Restaurant from the gross changes of London’s climate; and it was as he strode under this arcade, his steps ringing sharply on the dry white stones, that it was distinctly brought to his notice that he was being followed.