So I spent the evening in writing up my journal. During the day I
had noticed that everywhere all the men were dressed in a sort of
uniform, and that the colours of these uniforms corresponded to the
rank or class of the wearers. Perhaps I ought to have mentioned this
circumstance earlier, for certainly it was one of the first things
I noticed when I began to go into the streets. The colours of the
uniforms are very striking and even crude. They supply the only
touch of the picturesque in Bridgetown, for, judging by my first
day's impressions of the town, I should imagine that the authorities
responsible for rebuilding it have swept away every vestige of the
tiny mediæval city which once existed on this spot and have replaced
it by a perfectly uniform piece of Meccanian town-planning. In such a
setting these uniforms strike one at first as out of place, but perhaps
I have not yet grasped their purpose or significance. The colour of the
uniforms of the members of the First Class is white; that of the Second
Class, red or scarlet; of the Third, yellow; of the Fourth, green; of
the Fifth, chocolate; of the Sixth, grey; of the Seventh, dark blue.
But so far I have seen no white uniforms, and only a few scarlet. I
saw several yellow uniforms to-day, but the most common were the green
uniforms of the Fourth Class and the chocolate uniforms of the Fifth
Class, to which the skilled artisans belong. Greys and dark blues were
also fairly numerous; but what surprised me most of all was the small
number of people to be seen in the streets. I must ask Sheep for the
explanation of this.
Promptly at nine o'clock next morning Sub-Conductor of Foreign
Observers Sheep made his appearance at the hotel, and we began our tour
of the public buildings. He took me first to the 'Import-Food-Hall,'
which stood alongside the railway on the outskirts of the town near
the industrial quarter. It was a great warehouse through which all
the food brought into the town has to pass before it is allowed to be
sold in the markets and shops. (The sole exception is milk, which is
distributed by municipal servants.) The building was very extensive
and several stories high. The two ends were open for the passage of
railway wagons. The architecture was not without a certain coarse
dignity. The arches were decorated in Romanesque style, and the whole
front facing the street was covered with rude sculptures in high relief
of scenes connected with the production of food. The interior walls
were covered with frescoes depicting similar scenes. Conductor Sheep
grew almost enthusiastic over this exhibition of Meccanian Art. All
these decorations, he said, had been executed by the students of the
Bridgetown Art School. I was not altogether surprised to hear this;
there was something so very naïve and obvious about the whole idea.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account