Medea, consort of Aegeus, King of Athens (Mythological character) -- Drama
CHORUS.
Great treasure halls hath Zeus in heaven,
From whence to man strange dooms be given,
Past hope or fear.
And the end men looked for cometh not,
And a path is there where no man thought:
So hath it fallen here.
NOTES TO MEDEA
P. 3, l. 2, To Colchis through the blue Symplêgades.]--The Symplêgades
("Clashing") or Kuaneai ("Dark blue") were two rocks in the sea which
used to clash together and crush anything that was between them. They
stood above the north end of the Bosphorus and formed the Gate (l. 1264,
p. 70) to the Axeinos Pontos, or "Stranger-less Sea," where all Greeks
were murdered. At the farthest eastern end of that sea was the land of
Colchis.
P. 3, l. 3, Pêlion.]--The great mountain in Thessaly. Iôlcos, a little
kingdom between Pêlion and the sea, ruled originally by Aeson, Jason's
father, then by the usurping Pelias.
P. 3, l. 9, Daughters of Pelias.]--See Introduction, p. vii.
P. 4, l. 18, Wed.]--Medea was not legally married to Jason, and could
not be, though in common parlance he is sometimes called her husband.
Intermarriage between the subjects of two separate states was not
possible in antiquity without a special treaty. And naturally there was
no such treaty with Colchis.
This is, I think, the view of the play, and corresponds to the normal
Athenian conceptions of society. In the original legend it is likely
enough that Medea belongs to "matriarchal" times before the institution
of marriage.
P. 4, l. 18, Head of Corinth.]--A peculiar word ([Greek: aisumnan])
afterwards used to translate the Roman _dictator_. Creon is, however,
apparently descended from the ancient king Sisyphus.
P. 4, l. 40, She hath a blade made keen, &c.]--These lines (40, 41) are
repeated in a different context later on, p. 23, ll. 379, 380. The sword
which to the Nurse suggested suicide was really meant for murder. There
is a similar and equally dramatic repetition of the lines about the
crown and wreath (786, 949, pp. 46, 54), and of those about the various
characters popularly attributed to Medea (ll. 304, 808, pp. 18, 46).
P. 5, l. 48, ATTENDANT.]--Greek _Paidagôgos_, or "pedagogue"; a
confidential servant who escorted the boys to and from school, and in
similar ways looked after them. Notice the rather light and cynical
character of this man, compared with the tenderness of the Nurse.
P. 5, l. 57, To this still earth and sky.]--Not a mere stage
explanation. It was the ancient practice, if you had bad dreams or
terrors of the night, to "show" them to the Sun in the morning, that he
might clear them away.
P. 8, l. 111, Have I not suffered?]--Medea is apparently answering some
would-be comforter. Cf. p. 4. ("If friends will speak," &c.)
Public-domain text, read in full here on John Shaqi.
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