Medical symbolism in connection with historical studies in the arts of healing and hygieneSozinskey, Thomas S.
History
Medical symbolism in connection with historical studies in the arts of healing and hygiene
Sozinskey, Thomas S.
Symbolism in medicine
In any composite figure the elements of it are spoken of as _attributes_;
and of these some are _essential_ and some _conventional_. The essential
ones only are, strictly speaking, symbols. Thus, in a representation of
the Goddess of Liberty, the cap is not a symbol; it is a conventional
attribute. Says the learned and distinguished historian of ancient
art, C. O. Müller, “The essence of the symbol consists in the supposed
real connections of the sign with the thing signified.”[4] In some
authoritative works, as, for instance, that of Fairholt,[5] the serpent
in medical art is said not to be a symbol; but this is not true if it be
taken to represent the god of medicine, which, as I have already stated,
was done by both Greeks and Romans. Evidently, if taken as of this narrow
meaning, there are not many comprehensive medical symbols. But I will
take it in a wider sense; I will take it to mean any mystic figure or any
kind of attribute. In doing so I do no more than Fairholt holds should
be done. Referring to the words _symbol_, _image_, and _allegorical
figure_ as well as _attribute_, he says, “Their shades of difference
are so slight that it would be most convenient to regard them all under
the general term _symbol_.”[6] I may add these remarks of Tiele: “A
symbol is a simple or complex thought clothed in a sensuous form. A myth
is a phenomenon of nature represented as the act of a person. Usually
symbols originate in myths, and in every case mythology is antecedent to
symbolism.”[7] There are many symbols, however, which never had anything
to do with myths, as will become evident later.
[Illustration: FIG. 1.—A MEDICAL SYMBOL.]
In the wide sense in which I propose to use it, symbol is almost or quite
synonymous with _emblem_, as popularly used. Mackenzie[8] and other
authorities, however, state that the word emblem is properly applicable
only to a mystic object or figure of two or more parts. Thus, it is
more correct to speak of “a skull and cross-bones” as emblematic than
symbolic of a poison or of death. Again, while a serpent might properly
be called a symbol, one in connection with a staff is an emblem. In this
restricted sense, emblem is closely allied in meaning to _allegory_.
But in an allegorical representation most of the elements of it are apt
to be symbolic, and beauty of the whole is a consideration. The great
Epidaurian representation of Æsculapius is an example. A simple image or
_statue_ is essentially a symbol.
I need hardly say that any figure may or may not be a symbol; but a mere
_figure_ is simply a representation of any object regarded as void of any
other than its ordinary meaning. A conventional representation of any
idea may be nothing more than a figure. In this sense, it is sometimes
called an _ideograph_.
CHAPTER II.
THE SERPENTINE GOD OF MEDICINE AT ROME.
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