Medieval rhetoric and poetic to 1400 : $b Interpreted from representative worksBaldwin, Charles Sears
History
Medieval rhetoric and poetic to 1400 : $b Interpreted from representative works
Baldwin, Charles Sears
Literature, Medieval -- History and criticism; Poetics -- History -- To 1500; Rhetoric, Medieval
[25] The technical significances of this section cannot safely be
suggested by translation. The available terms of modern English, if not
misleading, would be at least prejudicial to an interesting inquiry. A
considerable part of the original is printed by Thurot, 415: “De punctis
... et modo punctandi,” etc.
[26] “Quod paritatem sillabarum et similem consonantiam sine ulla
temporis consideratione observat.” The example is the hymn _Ave, Maria,
salvatoris_. There is added, by way of caveat, the different ancient
definition of _rhythmus_; but the medieval use is vindicated “ad
delectationem et quandam mollitiem; quoque ad dignitatem....” So Conrad:
“Rithmicum observat tantummodo certum numerum sillabarum, distinguendo
clausulas versiculorum in quadam finali concinnantia.” Rockinger, I. 419.
[27] Cf. Conrad’s list headed _Diversitas personarum_. Rockinger, I. 425
seq.
[28] The ancient term _auditor_ is kept, as well as the traditional three
functions. The second function being cardinal in a letter, _benevolentiæ
captatio_ in some manuals, e.g., Alberic’s (Rockinger, I. 18), is used
as the heading, instead of _exordium_. In others, as, here, it is a
subheading. The doctrine here is from _Rhet. ad Herennium_ I.
[29] Reference to the opponent is kept from ancient rhetoric, though
often inapplicable in a letter. But see the opening of John of
Salisbury’s letter at the beginning of this Chapter.
[30] The ancient counsel against pomp in the _exordium_, though repeated,
seems to have been less regarded than the others.
[31] E.g., by Geoffroi de Vinsauf, _Poetria nova_, 126-133 (Faral, 201);
Guido Fava (Rockinger, I. 185; Gaudenzi, 129).
[32] The term is said to be more inclusive. “Narrationum genera tria
sunt: oratorium, digressorium, et poeticum.” _Digressorium_ probably
refers to the _digressio_ for which a place in the speech was provided
by ancient rhetoric after the division (see ARP, 65). _Poeticum_ is of
course divided into _historia_, _fabula_, _argumentum_ (for which see the
index). The author makes no use of this, or of the whole division, which
indeed is inapplicable to a letter; but it seems to have troubled him,
as it troubled the _poetriæ_ (see above, page 193). Quintilian’s clear
distinction seems to have escaped them: “Et historiæ, quæ currere debet
ac ferri, minus convenissent insistentes clausulæ,” etc., IX. iv.
[33] At this point the author turns from Roman use to French, beginning
Book VI with a new set of definitions.
[34] Alberic’s _Rationes dictandi_ are printed in Rockinger, I. 9-28, and
are followed by _Albericus de dictamine_, 29-46.
[35] _Liber pontificalis_, 162, vol. II. 311, as translated by Poole (84)
in context. The Chancellor was afterward (1118-1119) Pope Gelasius II.
[36] The key phrases are Clark’s (10), repeated by Poole (90). The
grave accent in the last indicates that at this point there is often a
secondary, lighter stress.
Public-domain text, read in full here on John Shaqi.
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