Medieval rhetoric and poetic to 1400 : $b Interpreted from representative worksBaldwin, Charles Sears
History
Medieval rhetoric and poetic to 1400 : $b Interpreted from representative works
Baldwin, Charles Sears
Literature, Medieval -- History and criticism; Poetics -- History -- To 1500; Rhetoric, Medieval
The description of a myth is traditionally something like this.
It may, they say, be fictitious, but thoroughly practical
for some contingency of actual life. Moreover it should be
plausible. How may it be plausible? By our assigning to the
characters actions that befit them. For example, if the
contention be about beauty, let this be posed as a peacock; if
some one is to be represented as wise, there let us pose a fox;
if imitators of the actions of men, monkeys.
Myths are sometimes to be expanded, sometimes to be told
concisely. How? By now telling in bare narrative, and now
feigning the words of the given characters. For example, “the
monkeys in council deliberated on the necessity of settling
in houses. When they had made up their minds to this end and
were about to set to work, an old monkey restrained them,
saying that they would more easily be captured if they were
caught within enclosures.” Thus if you are concise; but if you
wish to expand, proceed in this way. “The monkeys in council
deliberated on the founding of a city; and one coming forward
made a speech to the effect that they too must have a city.
‘For see,’ said he, ‘how fortunate in this regard are men. Not
only does each of them have a house, but all going up together
to public meeting or theater delight their souls with all
manner of things to see and hear.’” Go on thus, dwelling on the
incidents and saying that the decree was formally passed; and
devise a speech for the old monkey. So much for this.
The style of recital, they say, should be far from periods and
near to pleasantness. The moral to be derived from the myth is
sometimes put first, sometimes last. Orators[58] too appear to
have used myth instead of example.
TALE
A tale, they say, is the setting forth of something that has
happened or of something as if it had happened. Sometimes,
however, authorities set the chria instead of this.
A tale differs from a story as a poem from an extended poetical
work. For a poem or a tale is about one thing, a poetical
work or a story about several. Thus a poetical work is the
_Iliad_, for example, or the _Odyssey_; but a poem is (one of
the component parts, such as) the making of the shield, the
visit to the shades, or the slaying of the suitors. And again,
a story is the history of Herodotus or the composition of
Thucydides; a tale is the incident of Arion or that of Alcmæon.
The forms of the tale are said to be four: the mythical; the
fictitious, which is also called the dramatic, as those of the
tragic poets; the historical; and the political or personal.
But for the present we consider the last.
Public-domain text, read in full here on John Shaqi.
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