Medieval rhetoric and poetic to 1400 : $b Interpreted from representative worksBaldwin, Charles Sears
History
Medieval rhetoric and poetic to 1400 : $b Interpreted from representative works
Baldwin, Charles Sears
Literature, Medieval -- History and criticism; Poetics -- History -- To 1500; Rhetoric, Medieval
The modes of tales are five: direct declarative, indirect
declarative, interrogative, enumerative, comparative. Direct
declarative is as follows: “Medea was the daughter of Æetes.
She betrayed the golden fleece”; and it is called direct
because the whole discourse, or the greater part, keeps the
nominative case. Indirect declarative is as follows: “The story
runs that Medea, daughter of Æetes, was enamored of Jason,”
and so on; and it is called indirect because it uses the other
cases. The interrogative is this mode: “What terrible thing did
not Medea do? Was she not enamored of Jason, and did she not
betray the golden fleece and kill her brother Absyrtus?” and
so on. The enumerative mode is as follows: “Medea, daughter
of Æetes, was enamored of Jason, betrayed the golden fleece,
slew her brother Absyrtus,” and so on. The comparative is
as follows: “Medea, daughter of Æetes, instead of ruling
her spirit, was enamored; instead of guarding the golden
fleece, betrayed it; instead of saving her brother Absyrtus,
slew him.” The direct mode is suited to stories, as being
clearer; the indirect, rather to trials; the interrogative to
cross-questioning; the enumerative, to perorations, as rousing
emotion.
CHRIA
A chria[59] is a concise exposition of some memorable saying or
deed, generally for good counsel.
Some chriæ are of words, others of deeds, still others of both:
of words, i.e., essentially sayings, as “Plato said that
the Muses dwell in the souls of the fit”; of deeds, i.e.,
essentially doings, as “Diogenes, seeing an ill-bred youth,
smote his tutor, saying ‘why did you teach him thus?’”
A chria differs from a memoir mainly in scope; for some
memoirs may run to considerable length, but a chria must be
concise. It differs from a proverb in that the latter is a bald
declaration, whereas a chria is often (developed) by question
and answer; and again in that a chria may be based upon deeds,
whereas a proverb is based only upon words; and again in that
a chria introduces the person who did or said, whereas the
proverb has no reference to a person.
Chriæ have been distinguished, mainly by the ancients, as
declarative, interrogative, and investigative.
Public-domain text, read in full here on John Shaqi.
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