Medieval rhetoric and poetic to 1400 : $b Interpreted from representative worksBaldwin, Charles Sears
History
Medieval rhetoric and poetic to 1400 : $b Interpreted from representative works
Baldwin, Charles Sears
Literature, Medieval -- History and criticism; Poetics -- History -- To 1500; Rhetoric, Medieval
Subjects for encomia are: a race, as the Greek; a city, as
Athens; a family, as the Alcmæonidæ. You will say[60] what
marvelous things befell at the birth, as dreams or signs or the
like. Next, the nurture, as, in the case of Achilles, that he
was reared on lions’ marrow and by Chiron. Then the training,
how he was trained and how educated. Not only so, but the
nature of soul and body will be set forth, and of each under
heads: for the body, beauty, stature, agility, might; for
the soul, justice, self-control, wisdom, manliness. Next his
pursuits, what sort of life he pursued, that of philosopher,
orator, or soldier, and most properly his deeds, for deeds
come under the head of pursuits. For example, if he chose the
life of a soldier, what in this did he achieve? Then external
resources, such as kin, friends, possessions, household,
fortune, etc. Then from the (topic) time, how long he lived,
much or little; for either gives rise to encomia. A long-lived
man you will praise on this score; a short-lived, on the score
of his not sharing those diseases which come from age. Then,
too, from the manner of his end, as that he died fighting for
his fatherland, and, if there were anything extraordinary under
that head, as in the case of Callimachus that even in death
he stood. You will draw praise also from the one who slew
him, as that Achilles died at the hands of the god Apollo.
You will describe also what was done after his end, whether
funeral games were ordained in his honor, as in the case of
Patroclus, whether there was an oracle concerning his bones, as
in the case of Orestes, whether his children were famous, as
Neoptolemus. But the greatest opportunity in encomia is through
comparisons, which you will draw as the occasion may suggest.
Similarly also living things without speech, so far as they
permit. You will draw your encomia from the place in which the
thing lives; and in addition to the country of its birth you
will tell to which of the gods it is dedicated, as the owl to
Athena, the horse to Poseidon. In like manner also you will
tell its nurture, the nature of soul and body, its deeds and
their use, the length of its life; and you will use throughout
such comparisons as fall in with these topics.
Encomia of things done you will draw from their inventors, as
the things of the chase from Artemis and Apollo; from those
who practised them, as heroes. But the best procedure for
such encomia is to consider those who pursue them, of what
sort these are in soul and body, e.g., hunters as manly,
courageous, more alert in intelligence, physically vigorous.
Finally you will observe that we must make encomia of the gods;
and it is to be borne in mind that such encomia must be called
hymns.[61]
Public-domain text, read in full here on John Shaqi.
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