Medieval rhetoric and poetic to 1400 : $b Interpreted from representative works — John Shaqi
Medieval rhetoric and poetic to 1400 : $b Interpreted from representative worksBaldwin, Charles Sears
History
Medieval rhetoric and poetic to 1400 : $b Interpreted from representative works
Baldwin, Charles Sears
Literature, Medieval -- History and criticism; Poetics -- History -- To 1500; Rhetoric, Medieval
Furthermore plants similarly, each from the topics of its
habitat, of the god to which it is dedicated, as the olive to
Athena, of its nurture, as how it is grown. If it needs much
care, you will marvel at this; if little, at that. You will
tell concerning its body, its rapid growth, its beauty, and
whether it is ever-blooming, as the olive. Then its usefulness,
on which you will dwell most. Comparisons you will lay hold of
everywhere.
Furthermore encomium of a city you may undertake from these
topics without difficulty. For you will tell of its race that
its citizens were autochthonous, and concerning its nurture
that they were nourished by the gods, and concerning its
education that they were educated by the gods. And you will
expound, as in the case of a man, of what sort the city is
in its manners and institutions, and what its pursuits and
accomplishments.
COMPARISON
Comparison has been included both under _commonplace_ as a
means of our amplifying misdeeds, and also under _encomium_ as
a means of amplifying good deeds, and finally has been included
as having the same force in censure. But since some (authors)
of no small reputation have made it an exercise by itself, we
must speak of it briefly. It proceeds, then, by the encomiastic
topics; for we compare city with city as to the men who came
from them, race with race, nurture with nurture, pursuits,
affairs, external relations, and the manner of death and what
follows. Likewise if you compare plants, you will set over
against one another the gods who give them, the places in which
they grow, the cultivation, the use of their fruits, etc.
Likewise also if you compare things done, you will tell who
first undertook them, and will compare with one another those
who pursued them as to qualities of soul and body. Let the same
principle be accepted for all.
Now sometimes we draw our comparisons by equality, showing the
things which we compare as equal either in all respects or in
several; sometimes we put the one ahead, praising also the
other to which we prefer it; sometimes we blame the one utterly
and praise the other, as in a comparison of justice and wealth.
There is even comparison with the better, where the task is
to show the less equal to the greater, as in a comparison of
Heracles with Odysseus. But such comparison demands a powerful
orator and a vivid style; and the working out always needs
vivacity because of the need of making the transitions swift.
CHARACTERIZATION (ΗΘΟΠΟΙΙΑ)[62]
Public-domain text, read in full here on John Shaqi.
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