Medieval rhetoric and poetic to 1400 : $b Interpreted from representative works — John Shaqi
Medieval rhetoric and poetic to 1400 : $b Interpreted from representative worksBaldwin, Charles Sears
History
Medieval rhetoric and poetic to 1400 : $b Interpreted from representative works
Baldwin, Charles Sears
Literature, Medieval -- History and criticism; Poetics -- History -- To 1500; Rhetoric, Medieval
This rhetoric, not only simpler than sophistic, but quite different
in emphasis, is set forth in the terms of Cicero. Augustine has gone
back four and a half centuries to the days before _declamatio_. The
instruction that he draws from his analysis of Christian literature is
planned upon the “instruct, win, move” (_docere_, _delectare_, _movere_)
of _De oratore_ and upon the corresponding three typical styles (_genus
tenue_—_medium_—_grande_) of _Orator_.[7] Evidently Augustine had the
greater Cicero, not the lesser that sufficed for the Middle Age. He
neither quotes nor cites any other rhetorician; and though his doctrine
of aptness and of variety is common throughout the older rhetoric, for
this too he had no need to go beyond the master’s two great works.
Nor have any others been more persuasive as to imitation,[8] which is
Augustine’s controlling idea. This first Ciceronianism, too immediately
aware of the perverted imitation of style taught by sophists to fall into
the archaism and redundancy of later worship of Cicero, is a penetrative
recovery of Cicero’s larger meaning. Augustine’s application of the three
typical styles is more just and more practically distinct than Cicero’s
own. Would that all Ciceronians had been equally discerning!
TABULAR VIEW OF ST. AUGUSTINE’S _DE DOCTRINA CHRISTIANA_ IV
A. For learning to preach, models are more fruitful than rules i-v
B. Eminent models are offered by the literature of Christian
eloquence vi-viii
1. Christian eloquence not merely comparable with pagan,
but distinctive.
2. Analysis of _Romans_ v. especially of climax, period,
clauses, etc.
3. Analysis of _2 Corinth._ xi. 16, especially of variety.
4. Analysis of _Amos_ vi. especially of figures.
C. Christian preaching must fulfil all three typical tasks of
oratory summarized in Cicero’s _docere_, _delectare_,
_movere_ ix-xix
1. _docere_, subordinating even _integritas_ to clearness ix-xi
2. _delectare_, necessary as a means, never an end xii-xvii
3. _movere_, to carry assent into action xviii, xix
D. The three corresponding styles of oratory, Cicero’s
_tenue_, _medium_, _grande_, are exemplified in the Canon xx
1. _genus tenue_ (_submissum_) in _Galatians_ iv. 21 and iii.
15 as demanding trained reasoning and memory.
2. _genus medium_ (_temperatum_) in 1 _Timothy_ v, _Romans_
xii, xiii, as rhythmical, but with cadence often
sacrificed.
3. _genus grande_ in _2 Corinthians_ vi. 2, _Romans_ viii.
28, _Galatians_ iv. 10, the last without the usual
stylistic means.
E. They are also exemplified in St. Cyprian _Ad Cæcilium_ and
_De habitu virginum_, St. Ambrose _De Spiritu_ and _De
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