of so large a size, but a person offered to make one at a price much above what my brother thought proper to give.... About this time he bought of a Quaker resident at Bath, who had formerly made attempts at polishing mirrors, all his rubbish of patterns, tools, hones, polishers, unfinished mirrors, &c., but all for small Gregorians, and none above two or three inches diameter. “But nothing serious could be attempted, for want of time, till the beginning of June, when some of my brother’s scholars were leaving Bath; and then to my sorrow I saw almost every room turned into a workshop. A cabinet-maker making a tube and stands of all descriptions in a handsomely furnished drawing-room; Alex putting up a huge turning machine (which he had brought in the autumn from Bristol, where he used to spend the summer) in a bedroom, for turning patterns, grinding glasses, and turning eye-pieces, &c. At the same time music durst not lie entirely dormant during the summer, and my brother had frequent rehearsals at home, where Miss Farinelli, an Italian singer, was met by several of the principal performers he had engaged for the winter concerts.... He composed glees, catches, &c., for such voices as he could secure, as it was not easy to find a singer to take the place of Miss Linley.... Sometimes, in the absence of Fisher, he gave a concerto on the oboe, or a sonata on the harpsichord; and the solos on the violoncello of my brother Alexander were divine!... He also took great delight in a choir of singers who performed the cathedral service at the Octagon Chapel, for whom he composed many excellent anthems, chants, and psalm tunes.[5] As soon as I could pronounce English well enough I was obliged to attend the rehearsals, and on Sundays at morning and evening service, which, though I did not much like at first, I soon found to be both pleasant and useful. [Sidenote: 1775-1782. _Life in Bath._]