Where shall we seek the antidote to this chilling gloom left on the mind by the bustling intricate scenes, where the best characters, goaded on by furious factions or dire necessity, become involved in crimes that their souls abhor? It is the contemplation of the peaceful virtues in the genial atmosphere of private life, that can best reconcile us to our nature, and quiet the turbulent emotions excited by “The madness of the crowd.” But vice, folly, and vanity are so noisy, so restless, so ready to rush into public view, and so adapted to afford food for malevolent curiosity, that the small still voice of virtue, active in its own sphere, but unwilling to quit it, is drowned in their tumult. This is a remedy, however, “Not obvious, not obtrusive.” If we would counteract the baleful influence of public vice by the contemplation of private worth, we must penetrate into its retreats, and not be deterred from attending to its simple details by the want of that glare and bustle with which a fictitious or artificial character is generally surrounded. But in this wide field of speculation one might wander out of sight of the original subject. Let me then resume it, and return to my objections. Of these the first and greatest is the dread of being inaccurate. Embellished facts, a mixture of truth and fiction, or what we sometimes meet with, a fictitious superstructure built on a foundation of reality, would be detestable on the score of bad taste, though no moral sense were concerned or consulted. It is walking on a river half frozen that betrays your footing every moment. By these repulsive artifices no person of real discernment is for a moment imposed upon. You do not know exactly which part of the narrative is false; but you are sure it is not all true, and therefore distrust what is genuine, where it occurs. For this reason a fiction, happily told, takes a greater hold of the mind than a narrative of facts, evidently embellished and interwoven with inventions. I do not mean to discredit my own veracity. I certainly have no intention to relate any thing that is not true. Yet in the dim distance of near forty years, unassisted by written memorials, shall I not mistake dates, misplace facts, and omit circumstances that form essential links in the chain of narration? Thirty years since, when I expressed a wish to do what I am now about to attempt, how differently should I have executed it. A warm heart, a vivid imagination, and a tenacious memory, were then all filled with a theme which I could not touch without kindling into an enthusiasm, sacred at once to virtue and to friendship. Venerated friend of my youth, my guide and my instructress; are then the dregs of an enfeebled mind, the worn affections of a wounded heart, the imperfect efforts of a decaying memory, all that remain to consecrate thy remembrance, to make known thy worth, and to lay on thy tomb the offering of gratitude?