Memoirs of Life and LiteratureMallock, W. H. (William Hurrell)
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Memoirs of Life and Literature
Mallock, W. H. (William Hurrell)
Mallock, W. H. (William Hurrell), 1849-1923
But whatever the house may have lost in the way of hereditary contents,
the church contained, in my childhood, other symbols of the past--they
have now likewise vanished--which spoke of "the family" rather than the
mysteries of the Christian faith. The family shrouded its devotions, and
sometimes its slumbers, in a pew which was furnished with a large
fireplace, and eclipsed with its towering walls something like half the
altar. All the panels of the western gallery were emblazoned with coats
of arms and quarterings, and all the available wall space was dark with
family hatchments. One afternoon, some five-and-forty years ago, a
daughter of the house, who happened to be alone indoors, was alarmed by
a summons to show herself and receive the Queen of Holland, who was then
staying at Torquay, and who wished to inspect an old English house and
its appurtenances. My cousin, who took her into the church, and who was
somewhat confused by the presence of so august a visitor, explained the
hatchments, with regard to which the queen questioned her, by saying
that one was put up whenever a member of the Mallock family married.
As for myself, these solemn heraldic objects vaguely imbued me with a
sense, of which I took long in divesting myself, that my own family was
one of the most important and permanent institutions of the country.
They were otherwise associated in my memory with a long succession of
Christmases, when holly berries enlivened their frames and peeped over
the walls of the pew where my elders drowsed, and my coevals were
sustained during the sermon by visions of the plum pudding and crackers
which would reward them in a near hereafter. I can still remember how,
before these joys began, we would group ourselves in the dining-room
windows, peering at distant woods, in which keepers still set man traps,
or watching the village schoolchildren on their way from church
homeward, making with their crimson cloaks a streak of color as they
followed one another across slopes of snow.
The feelings excited by a landscape such as this bore a subtle
resemblance to those produced in myself by the heraldries which thronged
the church. From the windows, indeed, of all the houses of which I have
just been speaking the prospect was morally, if not visually, the same.
They all looked out, as though it were the unquestioned order of things,
on wooded seclusions pricked by manorial chimneys or on lodges and gray
park walls, while somewhere beyond these last lurked the thatch of
contented cottages, at the doors of which, when a member of "the family"
passed, women and children would curtsy and men touch their forelocks.
Public-domain text, read in full here on John Shaqi.
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