There are visits to pay. Three hours pass--of course women, always
women. But at six I am free, and I resume my meditations in declining
light as the cab rolls through the old brick streets that crowd round
Golden Square; streets whose names you meet in old novels; streets
full of studios where Hayden, Fuseli, and others of the rank
historical tribe talked art with a big A, drank their despair away,
and died wondering why the world did not recognise their genius.
Children are scrambling round a neglected archway, striving to reach
to a lantern of old time. The smell of these dry faded streets is
peculiar to London; there is something of the odour of the original
marsh in the smell of these streets; it rises through the pavement and
mingles with the smoke. Fancy follows fancy, image succeeds image;
till all is but a seeming, and mystery envelops everything. That white
Arch seems to speak to me out of the twilight. I would fain believe it
has its secret to reveal. London wraps herself in mists; blue scarfs
are falling--trailing. London has a secret! Let me peer into her
veiled face and read. I have only to fix my thoughts to
decipher--what? I know not. Something ... perhaps. But I cannot
control my thoughts. I am absorbed in turn by the beauty of the Marble
Arch and the perspective of the Bayswater Road, fading like an
apparition amid the romance of great trees.
As I turn away, for the wind thrills and obliges me to walk rapidly, I
think how fortunate I am to experience these emotions in Hyde Park,
whereas my fellows have to go to Switzerland and to climb up Mont
Blanc, to feel half what I am feeling now, as I stand looking across
the level park watching the sunset, a dusky one. The last red bar of
light fades, and nothing remains but the grey park with the blue of
the suburb behind it, flowing away full of mist and people, dim and
mournful to the pallid lights of Kensington; and its crowds are like
strips of black tape scattered here and there. By the railings the
tape has been wound into a black ball, and, no doubt, the peg on which
it is wound is some preacher promising human nature deliverance from
evil if it will forego the spring time. But the spring time continues,
despite the preacher, over yonder, under branches swelling with leaf
and noisy with sparrows; the spring is there amid the boys and girls,
boys dressed in ill-fitting suits of broadcloth, daffodils in their
buttonholes; girls hardly less coarse, creatures made for work,
escaped for a while from the thraldom of the kitchen, now doing the
business of the world better than the preacher; poor servants of
sacred Spring. A woman in a close-fitting green cloth dress passes me
to meet a young man; a rich fur hangs from her shoulders; and they go
towards Park Lane, towards the wilful little houses with low balconies
and pendent flower-baskets swinging in the areas. Circumspect little
gardens! There is one, Greek as an eighteenth-century engraving, and
Public-domain text, read in full here on John Shaqi.
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