the woman in the close-fitting green cloth dress, rich fur hanging
from her shoulders, almost hiding the pleasant waist, enters one of
these. She is Park Lane. Park Lane supper parties and divorce are
written in her eyes and manner. The old beau, walking swiftly lest he
should catch cold, his moustache clearly dyed, his waist certainly
pinched by a belt, he, too, is Park Lane. And those two young men,
talking joyously--admirable specimens of Anglo-Saxons, slender feet,
varnished boots, health and abundant youth--they, too, are
characteristic of Park Lane.
Park Lane dips in a narrow and old-fashioned way as it enters
Piccadilly. Piccadilly has not yet grown vulgar, only a little modern,
a little out of keeping with the beauty of the Green Park, of that
beautiful dell, about whose mounds I should like to see a comedy of
the Restoration acted.
I used to stand here, at this very spot, twenty years ago, to watch
the moonlight between the trees, and the shadows of the trees floating
over that beautiful dell; I used to think of Wycherly's comedy, "Love
in St. James's Park," and I think of it still. In those days the
Argyle Rooms, Kate Hamilton's in Panton Street, and the Café de la
Régence were the fashion. But Paris drew me from these, towards other
pleasures, towards the Nouvelle Athènes and the Elysée Montmartre; and
when I returned to London after an absence of ten years I found a new
London, a less English London. Paris draws me still, and I shall be
there in three weeks, when the chestnuts are in bloom.
CHAPTER II
FLOWERING NORMANDY
Public-domain text, read in full here on John Shaqi.
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