are known by the name of “the Abbey Gateway” and “the little Abbey
Gateway.” The superstructure of the former was unfortunately altered
and modernised early in the nineteenth century, but the gateway itself,
with its groined roof and finely-carved bosses, is well worthy of close
inspection by the visitor. The gates have, of course, disappeared, but
the larger arch for the admission of vehicles and the smaller doorway
for pedestrians give us a clear indication of the way the entrance was
used. The porter’s lodge was on the southern side, and you can still
see traces of the doorway of it and of the window through which the
porter would make his observations. It was before this gateway that the
Chester Mystery Plays were first represented before they were taken
round the city, and thus had ecclesiastical as well as civic patronage
and support. Before this gateway, too, was held a fair or market,
about which certain disputes arose between the monks and the citizens
which were finally settled in 1488.
[Illustration: Doorway in Cloisters, Chester Cathedral.]
Of the Abbot’s dwelling, converted at the Dissolution and foundation of
the See of Chester into the Bishop’s Palace, some few but interesting
remains are still extant. For instance, the basement of the projected
north-west Norman tower was, according to the plan in the British
Museum, the wine cellar. It was reached by a spiral staircase from
the room above, which was probably the Abbot’s private apartment, and
became the Bishop’s study, obtaining its light from a fan-light in
the ceiling. On the north of this was the Abbot’s chapel, which was
a Norman building, and entered from his room by a fine doorway. This
again was used by the Bishop, and in Bishop Bridgman’s time had a
Jacobean chancel added to it. The chapel is in a somewhat dilapidated
condition, and is approached from the church by the above-mentioned
staircase. “The wine cellar” and the room above have been thrown into
the Cathedral, and now form the baptistery, and in it is a beautiful
fifth-century font of Italian origin, which was given by the late Earl
Egerton of Tatton in 1885. From “the wine cellar” a square-headed
doorway, now filled up, led into “the pantry,” and beyond this was
“the strong-beer cellar.” It is possible that the names given to these
apartments simply indicate the purpose to which they were put when the
Bishop’s Palace was here, and that they have no reference to the use
made of them in monastic times. But they were, at any rate, part of the
Abbey buildings. “The strong-beer cellar,” with its graceful columns
and vaulted roof, has been restored by the Dean and Chapter, and is
now known as “the vaulted chamber,” and is most useful for lectures
and meetings. The Abbot probably, like the Bishop, was able to come
down into the church without going into the open air; at any rate, the
latter could do this.
Public-domain text, read in full here on John Shaqi.
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