Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and Artist — John Shaqi
Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and ArtistBernhardt, Sarah
General
Memories of My Life: Being My Personal, Professional, and Social Recollections as Woman and Artist
Bernhardt, Sarah
Actors -- Biography; Bernhardt, Sarah, 1844-1923; Women -- Biography
It was about three when she arrived. The housemaid had gone on about an
hour before, and I had watched with delight my little trunk and my toys
being packed into the carriage. The maid climbed up and took the seat by
the driver, in spite of my mother protesting at first against this. When
my aunt’s magnificent equipage arrived, mamma was the first to get in,
slowly and calmly. I got in slowly, too, giving myself airs, because the
_concierge_ and some of the shopkeepers were watching. My aunt then
sprang in lightly, but by no means calmly, after giving her orders in
English to the stiff, ridiculous-looking coachman, and handing him a
paper on which the address was written. Another carriage followed ours,
in which three men were seated: Régie L——, a friend of my father’s,
General de P—— and an artist named Fleury, I think, whose pictures of
horses and sporting subjects were very much in vogue just then.
I heard on the way that these gentlemen were going to arrange about a
little dinner near Auteuil, to console mamma for her great trouble in
being separated from me. Some other guests were to be there to meet
them. I did not pay very much attention to what my mother and my aunt
said to each other. Sometimes when they spoke of me they talked either
English or German, and smiled at me affectionately. The long drive was
greatly appreciated by me, for with my face pressed against the window,
and my eyes wide open, I gazed out eagerly at the gray, muddy road, with
its ugly houses on each side, and its bare trees. I thought it was all
very beautiful, because it kept changing.
The carriage stopped at 18, Rue Boileau, Auteuil. On the iron gate was a
long, dark signboard, with gold letters. I looked up at it, and mamma
said: “You will be able to read that soon, I hope.” My aunt whispered to
me, “Boarding School, Madame Fressard,” and, very promptly, I said to
mamma: “It says ‘Boarding School, Madame Fressard.’”
Mamma, my aunt, and the three gentlemen laughed heartily at my
assurance, and we entered the house. Mme. Fressard came forward to meet
us, and I liked her at once. She was of medium height, rather stout,
with a small waist, and her hair turning gray, _en Sévigné_. She had
beautiful, large eyes, rather like George Sand’s, very white teeth which
showed up all the more as her complexion was rather tawny. She looked
healthy, spoke kindly, her hands were plump and her fingers long. She
took my hand gently in hers and half-kneeling so that her face was level
with mine, she said in a musical voice: “You won’t be afraid of me, will
you, little girl?” I did not answer, but my face flushed as red as a
coxcomb. She asked me several questions, but I refused to reply. They
all gathered round me—“Speak, child—come, Sarah, be a good girl—oh, the
naughty little child!”
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