Great Britain -- Social life and customs -- 19th century -- Fiction
Produced by Les Bowler
MEN'S WIVES
By William Makepeace Thackeray
Contents.
The Ravenswing.
I. Which is entirely introductory--contains an account of Miss Crump,
her suitors, and her family circle.
II. In which Mr. Walker makes three attempts to ascertain the dwelling
of Morgiana.
III. What came of Mr. Walker's discovery of the “Bootjack.”
IV. In which the heroine has a number more lovers, and cuts a very
dashing figure in the world.
V. In which Mr. Walker falls into difficulties, and Mrs. Walker makes
many foolish attempts to rescue him.
VI. In which Mr. Walker still remains in difficulties, but shows great
resignation under his misfortunes.
VII. In which Morgiana advances towards fame and honour, and in which
several great literary characters make their appearance.
VIII. In which Mr. Walker shows great prudence and forbearance.
Mr. and Mrs. Frank Berry.
I. The fight at Slaughter House.
II. The combat at Versailles.
Dennis Haggarty's wife.
MEN'S WIVES, BY G. FITZ-BOODLE
THE RAVENSWING
CHAPTER I. WHICH IS ENTIRELY INTRODUCTORY--CONTAINS AN ACCOUNT OF MISS
CRUMP, HER SUITORS, AND HER FAMILY CIRCLE.
In a certain quiet and sequestered nook of the retired village of
London--perhaps in the neighbourhood of Berkeley Square, or at any
rate somewhere near Burlington Gardens--there was once a house of
entertainment called the “Bootjack Hotel.” Mr. Crump, the landlord, had,
in the outset of life, performed the duties of Boots in some inn even
more frequented than his own, and, far from being ashamed of his origin,
as many persons are in the days of their prosperity, had thus solemnly
recorded it over the hospitable gate of his hotel.
Crump married Miss Budge, so well known to the admirers of the festive
dance on the other side of the water as Miss Delancy; and they had
one daughter, named Morgiana, after that celebrated part in the “Forty
Thieves” which Miss Budge performed with unbounded applause both at
the “Surrey” and “The Wells.” Mrs. Crump sat in a little bar, profusely
ornamented with pictures of the dancers of all ages, from Hillisberg,
Rose, Parisot, who plied the light fantastic toe in 1805, down to the
Sylphides of our day. There was in the collection a charming portrait of
herself, done by De Wilde; she was in the dress of Morgiana, and in the
act of pouring, to very slow music, a quantity of boiling oil into one
of the forty jars. In this sanctuary she sat, with black eyes, black
hair, a purple face and a turban, and morning, noon, or night, as you
went into the parlour of the hotel, there was Mrs. Crump taking tea
(with a little something in it), looking at the fashions, or reading
Cumberland's “British Theatre.” The Sunday Times was her paper, for she
voted the Dispatch, that journal which is taken in by most ladies of her
profession, to be vulgar and Radical, and loved the theatrical gossip in
which the other mentioned journal abounds.
Public-domain text, read in full here on John Shaqi.
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