The fact is, that the “Royal Bootjack,” though a humble, was a very genteel house; and a very little persuasion would induce Mr. Crump, as he looked at his own door in the sun, to tell you that he had himself once drawn off with that very bootjack the top-boots of His Royal Highness the Prince of Wales and the first gentleman in Europe. While, then, the houses of entertainment in the neighbourhood were loud in their pretended Liberal politics, the “Bootjack” stuck to the good old Conservative line, and was only frequented by such persons as were of that way of thinking. There were two parlours, much accustomed, one for the gentlemen of the shoulder-knot, who came from the houses of their employers hard by; another for some “gents who used the 'ouse,” as Mrs. Crump would say (Heaven bless her!) in her simple Cockniac dialect, and who formed a little club there. I forgot to say that while Mrs. C. was sipping her eternal tea or washing up her endless blue china, you might often hear Miss Morgiana employed at the little red-silk cottage piano, singing, “Come where the haspens quiver,” or “Bonny lad, march over hill and furrow,” or “My art and lute,” or any other popular piece of the day. And the dear girl sang with very considerable skill, too, for she had a fine loud voice, which, if not always in tune, made up for that defect by its great energy and activity; and Morgiana was not content with singing the mere tune, but gave every one of the roulades, flourishes, and ornaments as she heard them at the theatres by Mrs. Humby, Mrs. Waylett, or Madame Vestris. The girl had a fine black eye like her mamma, a grand enthusiasm for the stage, as every actor's child will have, and, if the truth must be known, had appeared many and many a time at the theatre in Catherine Street, in minor parts first, and then in Little Pickle, in Desdemona, in Rosina, and in Miss Foote's part where she used to dance: I have not the name to my hand, but think it is Davidson. Four times in the week, at least, her mother and she used to sail off at night to some place of public amusement, for Mrs. Crump had a mysterious acquaintance with all sorts of theatrical personages; and the gates of her old haunt “The Wells,” of the “Cobourg” (by the kind permission of Mrs. Davidge), nay, of the “Lane” and the “Market” themselves, flew open before her “Open sesame,” as the robbers' door did to her colleague, Ali Baba (Hornbuckle), in the operatic piece in which she was so famous.