Herr Concert-Meister Altgelt played,
And the four strings of his violin
Were spinning like bees on a day in Spring.
The notes rose into the wide sun-mote
Which slanted through the window,
They lay like coloured beads a-row,
They knocked together and parted,
And started to dance,
Skipping, tripping, each one slipping
Under and over the others so
That the polychrome fire streamed like a lance
Or a comet's tail,
Behind them.
Then a wail arose--crescendo--
And dropped from off the end of the bow,
And the dancing stopped.
A scent of lilies filled the room,
Long and slow. Each large white bloom
Breathed a sound which was holy perfume from a blessed censer,
And the hum of an organ tone,
And they waved like fans in a hall of stone
Over a bier standing there in the centre, alone.
Each lily bent slowly as it was blown.
Like smoke they rose from the violin--
Then faded as a swifter bowing
Jumbled the notes like wavelets flowing
In a splashing, pashing, rippling motion
Between broad meadows to an ocean
Wide as a day and blue as a flower,
Where every hour
Gulls dipped, and scattered, and squawked, and squealed,
And over the marshes the Angelus pealed,
And the prows of the fishing-boats were spattered
With spray.
And away a couple of frigates were starting
To race to Java with all sails set,
Topgallants, and royals, and stunsails, and jibs,
And wide moonsails; and the shining rails
Were polished so bright they sparked in the sun.
All the sails went up with a run:
"They call me Hanging Johnny,
Away-i-oh;
They call me Hanging Johnny,
So hang, boys, hang."
And the sun had set and the high moon whitened,
And the ship heeled over to the breeze.
He drew her into the shade of the sails,
And whispered tales
Of voyages in the China seas,
And his arm around her
Held and bound her.
She almost swooned,
With the breeze and the moon
And the slipping sea,
And he beside her,
Touching her, leaning--
The ship careening,
With the white moon steadily shining over
Her and her lover,
Theodore, still her lover!
Public-domain text, read in full here on John Shaqi.
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