Then a quiver fell on the crowded notes,
And slowly floated
A single note which spread and spread
Till it filled the room with a shimmer like gold,
And noises shivered throughout its length,
And tried its strength.
They pulled it, and tore it,
And the stuff waned thinner, but still it bore it.
Then a wide rent
Split the arching tent,
And balls of fire spurted through,
Spitting yellow, and mauve, and blue.
One by one they were quenched as they fell,
Only the blue burned steadily.
Paler and paler it grew, and--faded--away.
Herr Altgelt stopped.
"Well, Lottachen, my Dear, what do you say?
I think I'm in good trim. Now let's have dinner.
What's this, my Love, you're very sweet to-day.
I wonder how it happens I'm the winner
Of so much sweetness. But I think you're thinner;
You're like a bag of feathers on my knee.
Why, Lotta child, you're almost strangling me.
I'm glad you're going out this afternoon.
The days are getting short, and I'm so tied
At the Court Theatre my poor little bride
Has not much junketing I fear, but soon
I'll ask our manager to grant a boon.
To-night, perhaps, I'll get a pass for you,
And when I go, why Lotta can come too.
Now dinner, Love. I want some onion soup
To whip me up till that rehearsal's over.
You know it's odd how some women can stoop!
Fraeulein Gebnitz has taken on a lover,
A Jew named Goldstein. No one can discover
If it's his money. But she lives alone
Practically. Gebnitz is a stone,
Pores over books all day, and has no ear
For his wife's singing. Artists must have men;
They need appreciation. But it's queer
What messes people make of their lives, when
They should know more. If Gebnitz finds out, then
His wife will pack. Yes, shut the door at once.
I did not feel it cold, I am a dunce."
Frau Altgelt tied her bonnet on and went
Into the streets. A bright, crisp Autumn wind
Flirted her skirts and hair. A turbulent,
Audacious wind it was, now close behind,
Pushing her bonnet forward till it twined
The strings across her face, then from in front
Slantingly swinging at her with a shunt,
Until she lay against it, struggling, pushing,
Dismayed to find her clothing tightly bound
Around her, every fold and wrinkle crushing
Itself upon her, so that she was wound
In draperies as clinging as those found
Sucking about a sea nymph on the frieze
Of some old Grecian temple. In the breeze
The shops and houses had a quality
Of hard and dazzling colour; something sharp
And buoyant, like white, puffing sails at sea.
The city streets were twanging like a harp.
Charlotta caught the movement, skippingly
She blew along the pavement, hardly knowing
Toward what destination she was going.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account