Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
He had a friend, a Christian boy, named Artie Beech, who adored him
even as Abramovich adored his father. Golda was alarmed by this
friendship, thinking no good could come out of the Christians, and she
tried to forbid it, but the boy had his way, and he loved Artie Beech
as a child loves a doll or a king his favourite. Together the two boys
used to creep home from school gazing into the shop windows. One day
they saw a brightly coloured advertisement of a beef extract: a
picture of a man rending a lion. "It will make you stronger than a
lion," said Mendel. "Yes," said Artie, "one drop on the tip of your
tongue." "I would be stronger than Harry if I ate a whole bottle,"
replied Mendel, and they decided to save up to buy the strength-giving
elixir. It took them seven weeks to save the price of it. Then with
immense excitement they bought the treasure, took it home, and,
loathing the taste of it, gulped it down and tossed a button for the
right to lick the cork. Feeling rather sick, they gazed at each other
with frightened eyes, half expecting to swell so that they would burst
their clothes. But nothing happened. Mendel took off his coat and felt
his biceps and swore that they had grown. Artie took off his coat:
yes, his biceps had grown too.
They went through the streets with growing confidence, and at school
they were not afraid. Mendel's new arrogance led him into the only
fight he ever had and he was laid low. Aching with humiliation, he
shunned Artie Beech and went alone to gaze at the picture of the man
rending the lion. It took him a week of hard concentrated thought to
realize that the picture and its legend were not to be taken
literally, and his close study led him to another and a strangely
emotional interest in the picture. His eyes would travel up the line
of the man's body along his arms to the lion's jaws, and then down its
taut back to its paws clutching the ground. The two lines springing
together, the two forms locked, gave an impression of strength, of
tremendous impact, which, as the boy gazed, became so violent as to
make his head ache. At the same time he began to develop an appetite
for this shock, and unconsciously used his eyes so as to obtain it. It
would sometimes spring up in him suddenly, without his knowing the
cause of it, when he watched his mother sitting with her hands folded
on her stomach, or cooking with her hand--her big, strong, working
hand--on a fish or a loaf of bread.
Public-domain text, read in full here on John Shaqi.
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