Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
"You dare talk like that! He is your husband. You are his wife. It is
a misfortune. You should be with the lawyers to find out when you can
see him. I am to lose everything because he is unfortunate! A dog will
not turn from a man in his misery, and must a woman learn from a dog?
You are a soft girl! Go, I say, and find out when you can see him. Was
ever a man so crossed by Fate! Where I go, there luck takes wings."
His violence shook Leah out of the dazed misery in which she had come
home, having no other idea, no other place to which to go. Jacob was
at first for making his daughter wait in her new home until her
husband was returned to her. His simple imagination seized on the idea
and visualized it. It seemed to him admirable, and Golda had hard work
to shake it out of his head. As a piece of unnecessary cruelty he
could not realize it, but when it was brought home to him that he
would have to pay the rent of the house in Hackney, he yielded and
allowed the girl to stay at home.
Moscowitsch was sentenced to six months' imprisonment, and a gloom,
such as not the darkest days of poverty had been able to create,
descended upon the house. Jacob was ashamed and irritable. He insisted
upon the most scrupulous observance of all the rites of his religion,
and he forbade Mendel to paint. Painting had nothing to do with
religion and he would have none of it. He trampled on Mendel's
friendship with Artie Beech. The Christian world of police and judges
and the law had destroyed his happiness, and not the faintest smell of
Christendom should cross his door. Friction between the father and his
two sons was exasperated, and it seemed to Mendel that Hell was let
loose. He was nearly of an age to leave school, and he dreamed by the
hour of the freedom he would have when he went to work. He would go
out early in the morning and come home late in the evening. He would
stay in the streets and look at the shops and watch the girls go by.
He would go one day out beyond London to see what the world was like
there. He would find a place where there were pictures, and he would
feast on them: for when he went to work he would paint no more, since
painting would be shed with the miserable childhood that was so fast
slipping away from him.
Public-domain text, read in full here on John Shaqi.
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