Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
Yet a worse calamity was to happen. Once again the Christian world of
police, law, and judges was to invade the home of the Kühlers, and
this time it was Jacob himself who was taken. He was charged with
receiving stolen goods. A detective-inspector and two constables
invaded the house and took possession of an ormolu clock, a number of
silver knives, and a brooch which Mr. Kuit had given to Golda. Five of
Mr. Kuit's friends had been arrested, but Mr. Kuit himself was not
implicated. He paid for the defence of the prisoners and took charge
of the Kühler family, transferred the business into Issy's name, and
advanced money to keep it going. He spared neither time nor trouble to
try to establish Jacob's innocence, but it looked almost as though
some one else was taking an equal amount of trouble to prove his
guilt, for every move of Mr. Kuit's was countered, and Jacob himself
was so bewildered and enraged that he could not give a coherent answer
to the questions put to him. He babbled and raved of an enemy who had
done this thing, of a rival who had plotted his ruin, but as he could
not give a satisfactory account of the articles found in his
possession, his passionate protestations and his fanatical belief in
his own honesty were of no avail. From the dock in which he was placed
with Mr. Kuit's other friends he delivered a vehement harangue in
broken English, not more than ten words of which were intelligible to
the judge and jury. The judge was kindly, the jury somnolent. Jacob
was the only member of the party with a clean record, and he received
the light sentence of eighteen months; the rest had double that term
and more. In the Sunday papers they were described as a dangerous
gang, and their portraits were drawn like profiles on a coin by an
artist whose business it was to make villains look villainous for the
delectation of the sober millions who tasted the joys of wickedness
only in print. Golda was staggered by the blank indifference of the
world to her husband's honesty. His word to her was law, but the judge
and the newspapers swept it aside, and he was regarded as one with the
wicked men whose crooked dealings had involved the innocent. This was
the worst disaster that had ever broken upon her: husband and
son-in-law both swept away from her, as it seemed now, in one moment.
The sympathy she received from the neighbours touched her profoundly,
and she accepted their view that the sudden abstraction of male
relatives was a natural calamity, like sickness or fire. Thanks to Mr.
Kuit the business would be kept together, and thanks to Abramovich she
never lacked company. That faithful friend would come in in the
evenings and go over the trial, every moment of which he had heard,
and recount every word of Jacob's speech, which to him was a piece of
magnificent oratory. "Not a tear was left in my eyes," he said. "Not a
throb was left in my heart, and the judge was moved, for his face sank
Public-domain text, read in full here on John Shaqi.
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