Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
And how disgusting the streets had become! Such a litter, such a
noise, such aimless, ugly people! He could understand his mother's
horror of them. Ah! she never failed him. To her his words were always
music, his presence was always light. Half-dead and miserable as he
was, she could know and love the aching heart of him that lived so
furiously behind all the death and the misery and the ashes of young
hopes that crusted him. She was like the sky and the trees. She was
like the young grass springing and waving so delicately in the wind.
She was like the water and the rolling hills. . . . He had discovered
these things at Hampstead, whither he had gone out of sheer
aimlessness. He had never been in the Tube, and one day, with a
shilling borrowed from Harry, it seemed appropriate to him to plunge
into the bowels of the earth. The oppression of the air, the roar of
the train, the flash of the stations as he moved through them, suited
his mood, fantastic and futile. He got out at Hampstead.
It was his first sight of the country. He could hardly move at first
for emotion. He found himself laughing, and he stooped and touched the
grass tenderly, almost timidly, as though he were afraid of hurting
it. He was fearful at first of walking on it, but that seemed to him
childish, and he strode along with his quick, light-footed stride and
lost himself in the willow groves. He made a posy of wild-flowers and
took them back to his mother, carrying them unashamedly in his hand,
entirely oblivious of the smiles of the passers-by. He knew he could
not tell his mother of the happiness of that day, and the flowers
could say more than any words.
Yet the happiness only made his misery more acute. He suffered
terribly from the pious narrowness of his home, the restricted,
cramped life of his brothers and sisters, who seemed to him to be
stealing such life as they had from the religious observances to which
they were bound by their father's rigid will. Prayers at home, prayers
in the synagogue: the dreadful monotony of the home, of the talk, of
the squabbles: human life forced to be as dull as that of the God who
no longer interfered in human life. . . . There was a tragedy in the
street. There had been a scandal. A young Rabbi, a gloriously handsome
creature, who sang in the synagogue, had fallen in love with a little
girl of fourteen who lived opposite the Kühlers. Golda had watched the
intrigue from her windows, and she said it was the girl's fault. The
Rabbi used to go every day when her father was out and she used to let
him in. Jacob wrote to the girl's father, and the Rabbi left his
lodgings and took a room over a little restaurant round the corner. He
had his dinner and went upstairs and sat up all night singing, in his
lovely tenor voice, love songs and religious chants, so sweetly that
the neighbours threw their windows open and there was a little crowd
of people in the street listening. And in the morning they found him
with his throat cut.
Public-domain text, read in full here on John Shaqi.
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