Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
They groped their way down the dark stairs, and he went out with her,
feeling that he could not face his family, from whom he knew now that
his face was turned. In the street a mood of freedom and adventure
came over him, and for this mood she was a fitting mate. He took her
on the top of a bus to the West End, among the promenading crowds, and
she drank it all in with a kind of exaltation, her big eyes glowing,
her body trembling with excitement. Into one café after another he led
her, completely absorbed as he was in her purpose, and at last, when
they mounted the eastward bus, she leaned her head on his shoulder,
and he could hear her murmuring to herself: "London . . . London . . .
London."
He too was thrilled as he had never been before by London. He had
never so strongly realized it before. The great city had thrilled him
with its beauty and had stirred him with its business, but never
before had its spirit crept into his blood to send it whirling and
singing through his veins. He hardly slept at all that night, and the
next morning it was a long time before he could begin to work, which
then seemed far removed from the effort and almost anguish it used to
cost him. The still-life with which he had been wrestling became quite
easy to do, and very soothing was the handling of brushes and paint.
Every touch was like a caress upon his aching soul.
So began a period of real happiness. The pieces he painted with such
soothing ease were generally admired and readily bought. The dealer to
whom he took them was also a colourman and gave him apparently
unlimited credit; and he laid in an immense stock of colours and
amused himself with experiments. It seemed that his career was to be
successful without a struggle. His patrons were delighted to find him
so soon making money, and the Birnbaums and the Fleischmanns invited
him down into the country, but as he found that they put him up in a
servant's bedroom or a gardener's cottage he refused to go more than
once, or to any more of their kind who were not prepared to forget his
poverty.
He would rather stay in London with Hetty, whom he had begun to regard
as a mascot. With her coming everything had changed. She had made
everything easy and happy and delightful. He had no love for her, but
he could not help feeling grateful. She had turned work into a
pleasure, pleasure into a riot of ecstasy.
Public-domain text, read in full here on John Shaqi.
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