Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
"I had almost given up art," said Logan; "I had almost given it up as
hopeless. How can there be art in a despiritualized country like this,
that lets all its traditions rot away? I was just on the point of
tossing up whether I should go on the stage or take to spouting at the
street corners; for when a country is in such a condition that its
artists are stifled, then it is ripe for revolution. I am instinctive,
you know, like Napoleon. I feel that we are on the threshold of
something big, and that I am to have my share in it. I used to think
it would happen in art, but I despaired of that. It seemed to me that
art in this country could go doddering on for generations, and then I
thought it needed a political upheaval to push it into its grave. But
when I saw your work, I said to myself: Here is the real thing, alive,
personal, profound, skilled. I began to hope again. And now that I
have met you I feel more hopeful still, and, let me tell you, like
most painters, I don't find it easy to like another man's work."
Mendel was fired. Trembling in every limb, he said:--
"It has been the dream of my life to find a friend who would work with
me, think with me, go with me, share with me, not quarrelling with me
because I am not this, that, and the other, but accepting me as I
am--a man who has no country, no home, no love but art."
"That," said Logan, with a portentous scowl and a downward jab of his
thumb, "is what I have been looking for--some one, like yourself, who
was absolutely sincere, absolutely single-minded and resolute. The
spirit of art has brought us together. We will serve it together."
They shook hands like young men on the stage, and Logan fetched a deep
sigh of relief.
Mitchell woke up, saying:--
"Gawd! I've been asleep. Have you two been talking? Gawd! It's two
o'clock."
"I'll walk home with you," said Logan. "We can keep to the river
nearly the whole way by going from side to side."
So they walked while the tide came up, sucking and lapping, while the
red dragons' eyes of the barges came swinging up on it, moving up and
down in a slow, irregular rhythm. It was very cold and the sky was
thickly powdered with stars, whose pin-prick lights were reflected in
the smooth water.
Upon the dome of the young artist's vision that had before been black
with infinite space, stars shone with a tender light. He was in
ecstasy, and seemed to be skimming above the ground, hardly touching
it with his feet. This long walk was like an exquisite dance, while
Logan's rollings were like a pipe. . . . Often he sank into a dream
that he was upon a grassy hill in a mountainy place, he and his
friend, who played upon a pipe so mournfully yet gaily while he
danced, and from the trees fell silvery dewdrops and the songs of
birds, which turned into pennies as they reached the ground and rolled
away down the hill.
Public-domain text, read in full here on John Shaqi.
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