Every man must, of course, whether he will or not, feel the spirit
of the age in which he lives and thinks and does his work; and the
mere contact will direct and form him more or less. But to wish to
serve the spirit of the age at any sacrifice of individual naturalness
or conviction, however small, is to harbor the germ of a destroying
disease. Every man who writes ought to write for immortality, even
though he be of the multitude that die at their graves; and the
standards of immortality are of no single age. There are many qualities
and causes that give permanency to a book, but universal vogue during
the author’s lifetime is not one of them. Many authors now immortal
have enjoyed the applause of their own generations; many authors now
universally admired will, let us hope, pass on to an easy immortality.
The praise of your own day is no absolute disqualification; but it may
be if it be given for qualities which your friends are the first to
admire, for ’tis likely they will also be the last. There is a greater
thing than the spirit of the age, and that is the spirit of the ages.
It is present in your own day; it is even dominant then, with a sort of
accumulated power and mastery. If you can strike it, you will strike,
as it were, into the upper air of your own time, where the forces are
which run from age to age. Lower down, where you breathe, is the more
inconstant air of opinion, inhaled, exhaled, from day to day,--the
variant currents, the forces that will carry you, not forward, but
hither and thither.
We write nowadays a great deal with our eyes circumspectly upon the
tastes of our neighbors, but very little with our attention bent upon
our own natural, self-speaking thoughts and the very truth of the
matter whereof we are discoursing. Now and again, it is true, we are
startled to find how the age relishes still an old-fashioned romance,
if written with a new-fashioned vigor and directness; how quaint and
simple and lovely things, as well as what is altogether modern and
analytic and painful, bring our most judicious friends crowding,
purses in hand, to the book-stalls; and for a while we are puzzled to
see worn-out styles and past modes revived. But we do not let these
things seriously disturb our study of prevailing fashions. These books
of adventure are not at all, we assure ourselves, in the true spirit of
the age, with its realistic knowledge of what men really do think and
purpose, and the taste for them must be only for the moment or in jest.
We need not let our surprise at occasional flurries and variations in
the literary market cloud or discredit our analysis of the real taste
of the day, or suffer ourselves to be betrayed into writing romances,
however much we might rejoice to be delivered from the drudgery of
sociological study, and made free to go afield with our imaginations
upon a joyous search for hidden treasure or knightly adventure.
Public-domain text, read in full here on John Shaqi.
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