Those who know Bagehot only as the writer of some of the most delightful and suggestive literary criticisms in the language wonder that he should have been an authority on practical politics; those who used to regard the “London Economist” as omniscient, and who knew him only as the editor of it, marvel that he dabbled in literary criticism, and incline to ask themselves, when they learn of his vagaries in that direction, whether he can have been so safe a guide as they deemed him, after all; those who know him through his political writings alone venture upon the perusal of his miscellaneous essays with not a little surprise and misgiving that their master should wander so far afield. And yet the whole Bagehot is the only Bagehot. Each part of the man is incomplete, not only, but a trifle incomprehensible, also, without the other parts. What delights us most in his literary essays is their broad practical sagacity, so uniquely married as it is with pure taste and the style of a rapid artist in words. What makes his financial and political writings whole and sound is the scope of his mind outside finance and politics, the validity of his observation all around the circle of thought and affairs. He was the better critic for being a competent man of business and a trusted financial authority. He was the more sure-footed in his political judgments because of his play of mind in other and supplementary spheres of human activity. The very appearance of the man was a sort of outer index to the singular variety of capacity that has made him so notable a figure in the literary annals of England. A mass of black, wavy hair; a dark eye, with depths full of slumberous, playful fire; a ruddy skin that bespoke active blood, quick in its rounds; the lithe figure of an excellent horseman; a nostril full, delicate, quivering, like that of a blooded racer,--such were the fitting outward marks of a man in whom life and thought and fancy abounded; the aspect of a man of unflagging vivacity, of wholesome, hearty humor, of a ready intellectual sympathy, of wide and penetrative observation. It is no narrow, logical shrewdness or cold penetration that looks forth at you through that face, even if a bit of mockery does lurk in the privatest corner of the eye. Among the qualities which he seeks out for special praise in Shakespeare is a broad tolerance and sympathy for illogical and common minds. It seems to him an evidence of size in Shakespeare that he was not vexed with smallness, but was patient, nay, sympathetic even, in his portrayal of it. “If every one were logical and literary,” he exclaims, “how would there be scavengers, or watchmen, or caulkers, or coopers? A patient sympathy, a kindly fellow-feeling for the narrow intelligence necessarily induced by narrow circumstances,--a narrowness which, in some degrees, seems to be inevitable, and is perhaps more serviceable than most things to the wise conduct of life,--this, though quick and