“The deepest, plainest, highest, clearest pen;
The voice most echoed by consenting men;
The soul which answered best to all well said
By others, and which most requital made;
Tuned to the highest key of ancient Rome,
Returning all her music with his own;
In whom, with nature, study claimed a part,
And yet who to himself owed all his art.”
VI.
THE TRUTH OF THE MATTER.
“Give us the facts, and nothing but the facts,” is the sharp injunction
of our age to its historians. Upon the face of it, an eminently
reasonable requirement. To tell the truth simply, openly, without
reservation, is the unimpeachable first principle of all right dealing;
and historians have no license to be quit of it. Unquestionably they
must tell us the truth, or else get themselves enrolled among a very
undesirable class of persons, not often frankly named in polite
society. But the thing is by no means so easy as it looks. The truth
of history is a very complex and very occult matter. It consists of
things which are invisible as well as of things which are visible. It
is full of secret motives, and of a chance interplay of trivial and yet
determining circumstances; it is shot through with transient passions,
and broken athwart here and there by what seem cruel accidents; it
cannot all be reduced to statistics or newspaper items or official
recorded statements. And so it turns out, when the actual test of
experiment is made, that the historian must have something more than a
good conscience, must be something more than a good man. He must have
an eye to see the truth; and nothing but a very catholic imagination
will serve to illuminate his matter for him: nothing less than keen
and steady insight will make even illumination yield him the truth
of what he looks upon. Even when he has seen the truth, only half
his work is done, and that not the more difficult half. He must then
make others see it just as he does: only when he has done that has he
told the truth. What an art of penetrative phrase and just selection
must he have to take others into the light in which he stands! Their
dullness, their ignorance, their prepossessions, are to be overcome
and driven in, like a routed troop, upon the truth. The thing is
infinitely difficult. The skill and strategy of it cannot be taught.
And so historians take another way, which is easier: they tell part of
the truth,--the part most to their taste, or most suitable to their
talents,--and obtain readers to their liking among those of similar
tastes and talents to their own.
Public-domain text, read in full here on John Shaqi.
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