Mesopotamian Archaeology: An introduction to the archaeology of Mesopotamia and Assyria — John Shaqi
Mesopotamian Archaeology: An introduction to the archaeology of Mesopotamia and AssyriaHandcock, Percy S. P. (Percy Stuart Peache)
History
Mesopotamian Archaeology: An introduction to the archaeology of Mesopotamia and Assyria
Handcock, Percy S. P. (Percy Stuart Peache)
Iraq -- Antiquities
The _Ostrich_ only appears in Mesopotamian art at a late period, though
in Elam rows of ostriches are found depicted on early pottery, closely
and inexplicably resembling the familiar ostriches on the pre-dynastic
pottery of ancient Egypt. It sometimes however assumes a conspicuous
position in the embroidery of an Assyrian king’s robe and is found also
on a chalcedony seal in Paris.[16]
The _Stork_, which in winter time feeds in the Babylonian marshes,
occurs on the cylinder-seals, but in some cases it is difficult to
determine the bird figured; the _Crane_ and the _Bustard_ both appear to
be represented, while we have an undoubted instance of the _Swan_ in a
soft serpentine seal which Ward regards as early Assyrian.[17] The
_Cock_ is confined or practically confined to cylinder-seals of the
Persian period.
_Ducks_ are known to have existed by the discovery of stone and marble
weights in the form of ducks, one of which is inscribed with the name of
Nabû-shum, and another with that of Erba-Marduk.
_Doves_ were used and appreciated from the earliest times, for Eannatum
informs us that he offered four doves in sacrifice to the god Enzu,
while _Swallows_ and _Ravens_ abounded, for in the Deluge-story, both
the swallow and raven as well as the dove are sent forth by
Ṣit-napishtim to ascertain how far the waters were abated.[18]
Locusts are found on one or two seals, and also appear as articles of
diet on the Assyrian bas-reliefs (cf. Layard, Series II, Pl. 9), where
they are seen strung up on a stick, while the scorpion is of frequent
occurrence on the cylinder-seals, and is found on some of the earliest.
Fishes figure alike on seals and on palace walls, but their presence
generally seems due to the artist’s desire to remove all doubt from the
spectator’s mind with regard to the water, of the success of his
reproduction of which he is by no means too sanguine. We have one
humorous episode in fish-life depicted on the walls of Sennacherib’s
palace at Kouyunjik, where a crab is seen effectually pressing its
nippers into the body of a luckless fish, while it also occurs once on a
cylinder-seal.
Fish were undoubtedly used for food from the earliest times; thus
Eannatum records that he presented certain fish as offering to his gods,
while one of the reforms introduced by Urukagina, a king of the First
Dynasty of Lagash, was the deprivation from office of the extortionate
fishery inspectors. The marshes still abound in fish, some of which
attain to a considerable size; they are for the most part barbel or
carp, their flesh although coarse affording a regular supply of food to
the Arabs.
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